Journal articles: 'Columbus Fire Company, No. 1' – Grafiati (2024)

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Introduction: A fire ever took place in the early 2019 in one of the cooking oil processing companies in Sidoarjo. This is because the company had a storage warehouse of cartons, jerry cans, and plastic packaging,categorized into flammable materials. The flame was suspected from rags that were exposed to spills of cooking oil, oxygen, and heat from direct sunlight and cigarette butts. The research objectives of this study are to study the implementation of fire mitigation unit and also active and passive fire protection facilities in one of the cooking oil processing companies in Sidoarjo. Methods: The study was observational with a cross sectional design and was analyzed descriptively. It evaluated the suitability of the observational data with the Minister of Manpower Decree Number 186 Year 1999, Minister of Public Work Regulation Number 26 Year 2008, and Minister of Manpower and Transmigration Regulation Number 4 Year 1980. The variables consisted of 1 fire mitigation unit, 1 waterway, 34 fire extinguishers, 7 emergency exits, 41 evacuation routes, and 2 assembly points. Data were collected through the observation and document study. Then, the data were presented in a narrative form. Results: 79.2% of fire mitigation units, 77.6% of active fire protection facilities, and 57.1% of passive fire protection facilities in one of the cooking oil processing companies in Sidoarjo are appropriate with the applicable regulations. Conclusion: The fulfillment level of fire mitigation units and active fire protection facilities are high, while the fulfillment level of passive fire protection facilities are moderate.Keywords: active and passive fire protection, evaluation, fire mitigation

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<p><strong>Abstract.</strong> Fire insurance maps produced by the American firm the Sanborn Map Company have long served as cartographic guides to understanding the history of urban America. Primarily used by cultural and historical geographers, historians, historic preservationists, and environmental consultants; historians of cartography have little explored the history of this company. While this scholarship has addressed various facets of Sanborn’s history (Ristow, 1968), no scholarly piece has explored the lived experience of being a Sanborn surveyor. This lack of scholarship comes not from any significant oversight but rather from the fact that the contributions of most Sanborn surveyors were anonymous and little recorded on the maps themselves. Moreover, the company itself has done little to save its own history, thus little is known of their individual stories and experiences. The exception to this is perhaps the most famous Sanborn surveyor of all: Daniel Carter Beard.</p><p>Over the course of his nine-decade life, Daniel Carter Beard held several prominent positions including the co-founder of the Boy Scouts of America and the lead illustrator for many of Mark Twain’s novels. However, he got his start as a surveyor for the Sanborn Map Company in the 1870s, just a few years after its founding. His papers, housed at the Manuscript Division of the Library of Congress, includes a variety of ephemera from his time with the Sanborn Map Company.</p><p>Trained in civil engineering, Beard got his start as a surveyor for the Cincinnati (Ohio) Office of Platting Commission, creating the first official plat map for the city. He was hired by Sanborn in 1874 and served as a surveyor until 1878, traveling extensively over the eastern half of the United States, parlaying his skills into creating fire insurance maps for Sanborn. Thus, this paper speaks to two main themes. The first theme traces the route of Beard during his early years with the company across the eastern half of the United States, documenting both the places he visited and the challenges he faced as a Sanborn surveyor. The second theme, interwoven through the paper, is an analysis of the innerworkings of Sanborn’s administrative structure and its relationship with the larger fire insurance market during the 1870s. Altogether, these documents present unique insight into the organization of the Sanborn Map Company and how it produced its maps during the second-half of the 19th century.</p>

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ABSTRACT On a hot afternoon in June 1995, lightning struck a 55,000-barrel crude oil storage tank owned by ATTCO Pipeline Company in Addington, Oklahoma. The lightning strike subsequently caused a fire and explosion that ultimately resulted in the collapse of the tank. During the initial response efforts, specialized fire-fighting equipment and personnel were requested from Sheppard Air Force Base out of Wichita Falls, Texas. Unfortunately, efforts to extinguish the fire resulted in a tragic loss of life. This poster seeks to examine the sequence of events leading up to the loss of life and to discuss how these events affected the overall spill response efforts. It will include an analysis of the operational parameters established by ATTCO's Facility Response Plan that was in effect on June 10, 1995, and will also examine the state of preparedness and prevention efforts leading up to June 10, 1995. Ultimately, this poster will determine what effect, if any, the state of readiness had on the events of that day.

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Introduction: The massive development of the industrial sector leads to an increase in the risk of fire incidents. A company is obligated to prevent, reduce, and extinguish fire incidents by providing training and facilitating supporting tools to avoid fire incidents in the workplace. PT. ARPS is a Surabaya-based manufacturing company that produces plastic packaging and has a potential danger of medium to high levels. By applying the case study design, as an observational study, this study aims to identify the factors that influence and trigger the fire incidents at PT. ARPS during 2017-2018. Methods: The population of this study is the workers of the Assembly Decoration 1 (AD1) and the Blow Molding (DM) production areas. The collected data are analyzed and presented descriptively through tables and narration. Results: The data show that the first fire incident occurred on 10 February 2017 to the KK6 machine in the AD1 area, followed by the second incident that occurred on 18 March 2018 to the VK4 machine in the BM area, and the third incident (30 March 2018) to the KKS6 machine in the AD1 area. Conclusion: It can be stated that the three fire incidents at PT. ARPS that occurred from 2017 until March 2018 are caused by unsafe actions that are the negligence of the human resources, and unsafe conditions, which comprise the unstable machines. Other factors, such as supervision, maintenance, work instruction, and managerial, are identified as the upholding factors to the fire incidents at PR. ARPS. Keywords: factor identification, fire incident, unsafe action, unsafe condition

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ABSTRACT The staff needed for the support of cleanup operations can be large even for moderately sized spills. Marshaling sufficient and qualified people to respond on short notice at locations throughout the world can tax even the largest corporations. This paper describes how Chevron has prepared for this important aspect of spill response. Basically, Chevron has formed 13 separate teams covering specialty areas such as safety, finance, public relations, and legal. Each teams is organized and managed by people who regularly work within that function. Members of each team are regular employees of the various Chevron companies throughout the world. The incident command system and coordinated plans are the common threads which allow these groups to work together effectively. Drills and self-audits are used to keep the plans current and team members prepared. The organization and activities of the Safety, Fire and Health (SF&H) Functional Team is described in detail as a illustrated example of the functional team approach. This team consists of about 50 professionals in related fields. To facilitate rapid mobilization worldwide, each member has been medically qualified and has a current passport and selected inoculations. The team plan outlines the responsibilities of each professional group, the call-out procedure and telephone lists, and information on pre-identified SF&H contractors that can be called upon if additional resources are needed. The plan is flexible so that it can be used by one or two people to handle all SF&H functions at a small spill or by many persons within each specialty for larger incidents.

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To facilitate orientation in time, some selected events will be briefly presented. Approximately five hundred years ago, Columbus discovered America. One hundred years ago, on November 8th, 1895, Wilhelm Conrad R6ntgen discovered the X-rays which in the German language are called after him. In 1912 Max von Laue conducted the first X-ray diffraction experiment. In 1892 Richard Seifert Sr. founded the Electrotechnical Plant in Hamburg. After World War I (1914-1918) the company founder gradually handed the firm over to his son Richard Seifert Jr. After his son had completed studies in physics and electrical engineering he conducted pioneering experiments on the application of X-rays in science and technology. From the very beginning, X-ray equipment was produced in the three fields of medicine, science and technology. It was only ten years after World War II (1939-1945) that the line of medical equipment was discontinued and the daughter [1] as a member of the third generation gradually took over executive management tasks.

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ABSTRACT In the mid 1990'S, Alaska Clean Seas transformed from a typical oil spill response organization into an organization more involved with day to day operations in member company fields. A typical oil spill response organization is a fire house type organization with a warehouse and personnel which maintain equipment and provide spill response training. Today, ACS personnel are assigned to member company fields and provide other services such as hazardous waste handling, air opacity readings, small spill response services, environmental field sampling, environmental management program maintenance, and environmental inspections. This is combined with the spill response equipment maintenance and spill response team training. The services provided are outline in a Customer Service Agreement which is signed with each operating area. It outlines the services the ACS technicians will provide, which training is provided by ACS, and which training is provided by the member company. The financial obligations are outlined in the Cost Sharing Principles. These principles indicate which services are considered allocated in the normal ACS budget and which services are direct billed back to the member company operating areas. In general, response equipment maintenance and spill response training are allocated services with the remaining being direct billed. The benefits to this type of arrangement are many. The member companies obtain services for every day type activities and build up a better working relationship with the response organization. The spill organization members become acquainted with member company personnel and resources. They also become familiar with the area and with other contract services in the area. During a spill event, this knowledge increases the efficiency of the response and increases the trust between the member company and spill response organization. Also, on day to day spill responses, the spill response organization personnel work hand and hand with regulatory agencies which builds up the trust and familiarization for bigger events. With this arrangement, ACS is also able to sustain a higher number of qualified personnel. This improves ACS'S capability during a spill event and assists the member companies with a higher quality of spill response services. This paper provides information on methods that an Oil Spill Removal Organization (OSRO) can become more involved in member company daily activities for the benefit of both the member company and the OSRO.

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On 17 April 2013, an explosion occurred at the West Fertilizer Company storage and distribution facility in West, Texas. The explosion at West Fertilizer resulted from an intense fire in the seed and storage area of the facility that led to the detonation of approximately 30 tons of ammonium nitrate stored inside a wooden receiving bin. The explosion occurred while emergency services personnel were responding to a fire at the facility. Fifteen people were killed, more than 250 were injured, and numerous buildings were damaged or destroyed. This article presents the results of our investigation into the cause and origin of the explosion event, which included (1) early video footage which showed the room where the initial fire originates and (2) applying advanced blast techniques to determine the quantity of ammonium nitrate that likely detonated during the blast. These techniques included near-field blast effects (e.g. the resulting crater left by the blast) as well as the far-field blast damage resulting in the neighboring community.

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This article begins with a specific event: the fire on 3 December 1999 at the Worcester Cold Storage and Warehouse Company, Worcester, Massachusetts, in which sixfirefighters died. Substantively, this article studies disaster, the human experience ofdisaster, thesocial construction ofdisaster, and the contribution of applied anthropology to being useful following disasters. Methodologically, this article explores anthropologically generic (1) epistemological issues (what we think weknow isoften atbest apart ofthe complex cultural picture), (2) ontological issues (fidelity todata andtolearningfrom experience, versusfidelity totheory and method), and (3) relational issues (learning from and with others in thevery process of applying what weknow). This article is situated at the intersection between theory, praxis, and ethics.

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ABSTRACT The restoration planning efforts for the June 10, 1999, Olympic Pipe Line Company gasoline spill illustrate the benefits of cooperative and restoration-based damage assessment. The Incident resulted in the release of approximately 236,000 gallons of gasoline into Whatcom Creek, Bellingham, Washington. The spilled gasoline ignited, burning much of the riparian vegetation including a large section of mature forest in an urban park. The combination of the spill and fire resulted in the complete elimination of terrestrial and aquatic biota in several miles of the creek. Affected biota included several species of juvenile salmonids, including chinook salmon, which are listed as threatened under the Endangered Species Act. The Incident also resulted in recreational fishing and park closures. The Oil Pollution Act regulations require the Trustees to invite the Responsible Party to participate in the damage assessment and restoration process. By working together, restoration of injured resources and services may be achieved more rapidly and costeffectively. Shortly after the Incident, the Trustees and the Company recognized that a cooperative process would reduce duplication of studies, increase the cost-effectiveness of the assessment process, increase sharing of information, decrease the likelihood of litigation, and, most importantly, speed the restoration process. Another benefit of the cooperation was the ability to accomplish restoration goals in coordination with the emergency response activities. This paper summarizes the overall Incident and discusses the restoration planning process, including the emergency and long-term restoration actions.

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ABSTRACT Over the years the oil industry has invested significantly in strategically placed oil spill response centres and continues to fund them. Oil spill response strategy has historically been based around the tiered response structure which favours these stockpiles. When first positioned, the major risks were in oil tanker traffic and the headline accidents, with major oil company names attached, warranted their future A number of the oil majors have since moved out of shipping and the services provided have changed from the simple “fire station” service to the delivery of a range of training, consultancy and other services. This increases awareness and helps mitigate the impact of spills, but also changes the nature and expectations of the centres. A similar change in the end user, with ever greater need to protect major exploration, production and development programmes inevitably shifts the requirement to a need for more substantive tier two facilities close to these locations. Does this shift in requirements necessitate a shift in the thinking regarding the international tier 3 centres, should they continue in their current format or is more change needed? This paper explores these issues and looks in detail at what changes could come about and how they could add value. The paper analyses the cost and value of current global populace of the centres and attempts to quantify the benefit of change to the industry.

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GEOGRAPHICAL INFORMATION SYSTEM APPLIED IN THE FIRE RECORDS OF THE CITY OF BELÉM, STATE OF PARÁSISTEMA DE INFORMACIÓN GEOGRÁFICA APLICADO EN LOS REGISTROS DE INCENDIOS DE LA CIUDAD DE BELÉM, ESTADO DEL PARÁO Corpo de Bombeiros do Estado do Pará possui um banco de dados de suas atividades denominado Sistema de Cadastro de Ocorrências de Bombeiros, no entanto, essas informações são utilizadas apenas nas elaborações planilhas, gráficos, tabelas e relatórios. Este estudo objetiva aplicar um Sistema de Informação Geográfica para análise espacial das ocorrências de incêndios na cidade de Belém. Fez-se o levantamento, tratamento, tabulação e geocodificação dos dados de ocorrências de incêndios urbanos, localização dos hidrantes e Grupamento de Bombeiros Militar. Foram identificados 96 hidrantes na área de estudo de um total de 80 relacionados pela companhia de água. Com os resultados identificaram-se oito zonas de densidade de incêndio que necessitam de atenção preventiva do Corpo de Bombeiros. A zona 1 teve a maior extensão territorial (1,35 km²) e a zona 8 a menor (29.671,26 m²). As oito zonas de densidade de incêndio correspondem a 3% da área em estudo.Palavras-chave: SIG; Incêndios Urbanos; Atividades de Bombeiros Militar; Zoneamento de Incêndio Urbano.ABSTRACTThe Fire Department of the State of Pará has a database of its activities called Firemen's Record System, however, this information is used only in the worksheets, charts, tables and reports. This study aims to apply a Geographic Information System for spatial analysis of fire occurrences in the city of Belém. Data collection, treatment, tabulation and geocoding of occurrences of urban fires, location of fire hydrants and Military Fire Brigade were performed. 96 hydrants were identified in the study area of a total of 80 related by the water company. With the results, we identified eight fire density zones that require preventive attention from the Fire Department. Zone 1 had the largest territorial extension (1.35 km²) and the 8th lowest zone (29,671.26 m²). The eight zones of fire density correspond to 3% of the study area.Keywords: GIS; Urban Fires; Activities Military firefighters; Fire Urban Zoning.RESUMENEl Cuerpo de Bomberos del Estado de Pará posee un banco de datos de sus actividades denominado Sistema de Registro de Ocurrencias de Bomberos, sin embargo, esas informaciones se utilizan sólo en las elaboraciones hojas, gráficos, tablas e informes. Este estudio objetiva aplicar un Sistema de Información Geográfica para el análisis espacial de las ocurrencias de incendios en la ciudad de Belém. Se hizo el levantamiento, tratamiento, tabulación y geocodificación de los datos de ocurrencia de incendios urbanos, localización de los hidrantes y Grupaje de Bomberos Militar. Se identificaron 96 hidrantes en el área de estudio de un total de 80 relacionados por la compañía de agua. Con los resultados se identificaron ocho zonas de densidad de incendio que necesitan atención preventiva del Cuerpo de Bomberos. La zona 1 tuvo la mayor extensión territorial (1,35 km²) y la zona 8 más pequeña (29.671,26 m²). Las ocho zonas de densidad de incendio corresponden al 3% del área en estudio.Palabras clave: SIG, Incêndios Urbanos; Actividades de Bomberos Militares; Zonificación de Incendios Urbanos.

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ABSTRACT Following oil spills and petroleum fire incidents in Kenya, and in light of the recent increase in environmental awareness worldwide, the oil industry in Kenya and its affiliates have taken tangible steps to enhance alertness and implement emergency response plans. A National Oil Pollution Committee was formed in 1989 and charged with (1) assessing the existing capability of the industry to cope with oil spills, and (2) defining the maximum credible incident that the industry can handle, including establishing stock levels of equipment and chemicals, setting up plans, and organization and development of regular practice drills. Since the oil industry in Kenya cannot provide resources capable of responding to, and effectively controlling all emergencies which might occur, the National Oil Pollution Committee includes representatives of two government corporations, Kenya Ports Authority and Kenya Pipeline Company, and the four government ministries of Transport and Communications, Energy, Tourism and Wildlife, and Environment and Natural Resources. The Kenya Ports Authority has been appointed as the oil spill coordinator responsible for manpower, storage and maintenance of the equipment stockpile, and equipment employment in case of an oil spill.

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Four hundred forty previously untreated patients with active multiple myeloma were entered into a randomized trial (Southwest Oncology Group [SWOG] study 7927/28) comparing vincristine, melphalan, Cytoxan (Mead Johnson & Company, Evansville, Ind), and prednisone (VMCP) alternating with vincristine, BCNU, Adriamycin (Adria Laboratories, Columbus, Ohio) and prednisone (VBAP) with or without levamisole with vincristine, Cytoxan, and prednisone (VCP) with or without levamisole for induction therapy. The treatment groups were well balanced for all of the known major prognostic factors. Patients receiving VMCP-VBAP responded (greater than or equal to 75% regression) more frequently to induction therapy, both without (54%) and with (44%) levamisole v VCP without (28%) or with (28%) levamisole (P less than .001). In addition, patients receiving VMCP-VBAP (+/- levamisole) had a survival duration determined to be significantly increased by all forms of analysis: 48 and 33 months for VMCP-VBAP without and with levamisole v 29 and 26 months for VCP without and with levamisole (P = .011 overall). Levamisole did not improve response rates or survival duration (P greater than or equal to .1), nor did it prolong remission in the maintenance phase (P = .85). Analysis of SWOG study 7704/05 (updated April 1985) confirmed improved survival for combination therapy v MP, but no benefit for levamisole. The overall findings support the use of VMCP-VBAP as an excellent treatment option for remission induction in patients with active myeloma of all stages and prognostic categories.

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Background. Survival rates for out-of-hospital cardiac arrest are very low and neurologic recovery is poor. Innovative strategies have been developed to improve outcomes. A collaborative extracorporeal cardiopulmonary resuscitation (ECPR) program for out-of-hospital refractory pulseless ventricular tachycardia (VT) and/or ventricular fibrillation (VF) has been developed between The Ohio State University Wexner Medical Center and Columbus Division of Fire. Methods. From August 15, 2017, to June 1, 2019, there were 86 patients that were evaluated in the field for cardiac arrest in which 42 (49%) had refractory pulseless VT and/or VF resulting from different underlying pathologies and were placed on an automated cardiopulmonary resuscitation device; from these 42 patients, 16 (38%) met final inclusion criteria for ECPR and were placed on extracorporeal membrane oxygenation (ECMO) in the cardiac catheterization laboratory (CCL). Results. From the 16 patients who underwent ECPR, 4 (25%) survived to hospital discharge with cerebral perfusion category 1 or 2. Survivors tended to be younger (48.0 ± 16.7 vs. 59.3 ± 12.7 years); however, this difference was not statistically significant (p=0.28) likely due to a small number of patients. Overall, 38% of patients underwent percutaneous coronary intervention (PCI). No significant difference was found between survivors and nonsurvivors in emergency medical services dispatch to CCL arrival time, lactate in CCL, coronary artery disease severity, undergoing PCI, and pre-ECMO PaO2, pH, and hemoglobin. Recovery was seen in different underlying pathologies. Conclusion. ECPR for out-of-hospital refractory VT/VF cardiac arrest demonstrated encouraging outcomes. Younger patients may have a greater chance of survival, perhaps the need to be more aggressive in this subgroup of patients.

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ABSTRACT The Prince William Sound Regional Citizens Advisory Council (RCAC) is an independent non-profit corporation promoting the environmentally safe operation of the Alyeska Marine Terminal in Valdez, Alaska, and associated oil tankers. RCAC's work is mandated by the Oil Pollution Act of 1990 and guided by a contract with Alyeska Pipeline Service Company. Conflict is inherent in the relationship of citizens, industry, and government. The priorities of the citizens and those of the oil industry are fundamentally different and sometimes directly opposed. Such differences do not preclude citizens, industry and government from sharing environmental objectives. Joint projects have been especially successful in promoting effective working relationships between citizens, industry and government. Since 1990, RCAC has participated in several projects with the oil industry and government agencies on a wide range of issues including oil spill drills, disabled tanker towing, a tanker risk assessment, non-indigenous species invasions in waterways, and marine fire response capabilities. When stakeholders develop and manage a project together, disagreements can be identified and worked out early. This can minimize conflict and lead to common ground. Ten years after the Exxon Valdez oil spill, citizens, industry, and government are working together in Alaska to make oil transportation safer.

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Through the lenses of community development and social licence to operate, we consider the complex relationships between local communities and forest plantation and oil palm companies. We examine the practical challenges in implementing socially-sustainable community development (SSCD) by analyzing two corporate social investment community development projects located in West Kalimantan, Indonesia: Desa Makmur Peduli Api (integrated fire management) and Pertanian Ekologi Terpadu (ecological farming). Our study scrutinized: (i) What were the practice challenges faced by the companies in establishing SSCD?; Along with (ii) what should be done to improve how SSCD is undertaken, especially in Indonesia? We identified five challenges: (1) unresolved land conflict; (2) determining the right program; (3) building community capacity rather than providing irrelevant training; (4) a shortage of company field staff and government facilitators; and (5) managing community expectations. Better governance of SSCD will reduce conflict between affected communities and companies.

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Objectives An Opioid Treatment Desert is an area with limited accessibility to medication-assisted treatment and recovery facilities for Opioid Use Disorder. We explored the concept of Opioid Treatment Deserts including racial differences in potential spatial accessibility and applied it to one Midwestern urban county using high resolution spatiotemporal data. Methods We obtained individual-level data from one Emergency Medical Services (EMS) agency (Columbus Fire Department) in Franklin County, Ohio. Opioid overdose events were based on EMS runs where naloxone was administered from 1/1/2013 to 12/31/2017. Potential spatial accessibility was measured as the time (in minutes) it would take an individual, who may decide to seek treatment after an opioid overdose, to travel from where they had the overdose event, which was a proxy measure of their residential location, to the nearest opioid use disorder (OUD) treatment provider that provided medically-assisted treatment (MAT). We estimated accessibility measures overall, by race and by four types of treatment providers (any type of MAT for OUD, Buprenorphine, Methadone, or Naltrexone). Areas were classified as an Opioid Treatment Desert if the estimate travel time to treatment provider (any type of MAT for OUD) was greater than a given threshold. We performed sensitivity analysis using a range of threshold values based on multiple modes of transportation (car and public transit) and using only EMS runs to home/residential location types. Results A total of 6,929 geocoded opioid overdose events based on data from EMS agencies were used in the final analysis. Most events occurred among 26–35 years old (34%), identified as White adults (56%) and male (62%). Median travel times and interquartile range (IQR) to closest treatment provider by car and public transit was 2 minutes (IQR: 3 minutes) and 17 minutes (IQR: 17 minutes), respectively. Several neighborhoods in the study area had limited accessibility to OUD treatment facilities and were classified as Opioid Treatment Deserts. Travel time by public transit for most treatment provider types and by car for Methadone-based treatment was significantly different between individuals who were identified as Black adults and White adults based on their race. Conclusions Disparities in access to opioid treatment exist at the sub-county level in specific neighborhoods and across racial groups in Columbus, Ohio and can be quantified and visualized using local public safety data (e.g., EMS runs). Identification of Opioid Treatment Deserts can aid multiple stakeholders better plan and allocate resources for more equitable access to MAT for OUD and, therefore, reduce the burden of the opioid epidemic while making better use of real-time public safety data to address a public health epidemic that has turned into a public safety crisis.

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This study aims to monitor gas leakage with case studies in a national company engaged in the production of polycarbonate for drinking water packaging. In the future this research will be referred to as the Company. The Company implements Sistem Manajemen Keselamatan dan Kesehatan Kerja or socalled. System Management K3 (SMK3) to create a safety and health system by involving elements of management, labor, conditions and an integrated work environment in order to prevent and reduce accidents and occupational diseases. One of the causes of work accidents of the many causes that should be a concern is the danger that can be caused by the leaking gas LPG installation. Such hazards may cause explosions to fire that may threaten the safety of workers in companies using LPG gas for their production processes. The system in this study was designed to monitor and provide gas leak warnings to leaked LPG gas installations and promptly take prompt and automatic precautions. With the development of warning gas monitoring via android raspberry-based pi is expected to improve the security system and reduce therisk of work accident caused by LPG gas. Index Terms— Gas Monitoring, Raspberry pi, MQ2, LPG, Android REFERENCES[1] F. Pangkey dan G. Y. Malingkas, “Jurnal Ilmiah MEDIA ENGGINEERING,” Penerapan Sistem ManajemenKeselamatan Dan Kesehatan Kerja (SMK3) Pada Proyek Konstruksi Di Indonesia , vol. 2 , pp. 100-113, 2012.[2] B. Hadiwijaya, D. dan A. A. Zahra, “TRANSIENT,” Perancangan Aplikasi CCTV Sebagai Pemantau RuanganMenggunakan IP Camera, vol. 3, p. 232, 2014.[3] R. F. Giant, “Perancangan Aplikasi Pemantau Dan Pengendali Piranti Elektronik Pada Ruangan BerbasisWeb,” TRANSMISI , vol. 2, pp. 71-74, 2015.[4] S. Paul, A. Antony. , “International Journal Of Computing and Technology,” Android Based Home AutomationUsing Raspberry Pi , vol. 1, pp. 143-147, 2014.[5] M. P. Sulistyanto, D. A. Nugraha, N. Sari, N. Karima dan W. Asrori, “Implementasi IOT (Internet Of Things) dalam Pembelajaran di Universitas Kanjuruan Malang,” SMARTICS Journal , vol. 1, pp. 20-23, 2015.[6] H. N. Lengkong, “Perancangan Penunjuk Rute Pada Kendaraan Pribadi Menggunkan Aplikasi GIS BerbasisAndroid Yang Terintregasi Pada Google Maps,” EJournal Teknik Elektro dan Komputer, vol. 1, pp. 20-21,2015.[7] B. Prakasa, M. S. Qiron dan D. Hermanto, “Automatisasi Smart Home Dengan Rasperry Pi Dan SmartphoneAndroid,” pp. 1-13.[8] D. Nurmali dan S. Suhartini, “Komunikasi Data Digital menggunakan Gelombang Radio HF,” Penelitian PusatPemamfaatan Sains Antartika Lapan , vol. 1, pp. 27-30,2005.

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ABSTRACT Marathon Pipe Line Company (MPL) uses controlled burning as a means to clean up small oil spills and their residues in its gathering systems in oil-producing areas of southern Illinois. Controlled burning can be a quick, effective, and environmentally sound method of remediating small inland oil spills in rural areas. This paper focuses on actual field decision making and experience with controlled burning. MPL's evaluation process in deciding to conduct burning of a spill is discussed in detail. Such factors as the volume of oil released, the surrounding terrain, current and predicted weather, the accessibility of the oil, public health and safety, and proper permission to burn are considered. The decision to burn must be made within a few days of the spill because the light components of the crude oil rapidly volatilize, making the oil much less flammable and less likely to burn completely. When the decision is made to burn, additional control factors must be considered during the conduct of the burn, such as safe burn initiation, use of firebreaks and other fire control methods, burn direction versus wind direction, generation of airborne embers, and site security. Finally, postburn evaluation is discussed. Case studies of actual MPL-conducted burns and postburn analytical data of the burned areas are presented and compared to current Illinois cleanup criteria. The data indicate that controlled burning followed by surface bioremediation can quickly and successfully remediate small crude oil spill sites to Illinois cleanup standards.

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Introduction. The risk management system is aimed at achieving the necessary balance between profit and reduction of losses of business activity and is intended to become an integral part of the management system of the organization, i.e. should be integrated into the general policy of the company, its business plans and activities. Only under this condition, the application of the risk management system is useful. However, there is a separate category of risks that are least studied by scientists – emergency risks (in the context of the enterprise). The purpose of the paper is to study features of risk management in emergency situations, including in the context of the enterprise. Results. Emergency – is the situation in a separate territory or entity on its or water object, characterized by violation of normal living conditions caused by catastrophe, accident, fire, natural disaster, epidemic, epizootic, epiphysis, use of the means of destruction or a dangerous event that (could) lead to a threat to the life or health of the population, a large number of casualties and casualties, significant material damage, as well as the inability of the population to reside in such territory or facility proceedings on her economic activity. General signs of emergency: presence or threat of death; significant deterioration of living conditions; considerable deterioration of human health and financial loss. An essential component of this management should be the emergency risk management system, which includes four stages: planning phase, response phase, recovery phase and mitigation phase. Conclusion. It is necessary to solve the problem of management in emergencies not only by restructuring the functional structure and advanced training of managerial personnel but also by moving to a new management paradigm. The latter refers to a belief system based on the fundamental principles of situational management. According to these provisions, the construction of a control system in emergencies is a response to environmental influences of different nature. Moreover, the latter is considered as an open system. The main prerequisites for its successful functioning should be determined both inside and outside the system. Thus, the effectiveness of the operation of the system is associated with how well it responds to the external environment, how resistant it is too unexpected changes in the external environment, and how effectively it uses its inherent capabilities.

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Hazard identification is an effort to identify potential hazard that exist in the workplace. The aim of this study was identify hazards on Oxy-Cutting work in PT. Aziz Abadi Jaya Tuban. This study was a decriptive observational research with cross sectional design.Population of this study is 5 people consisting of 3 workers oxy - cutting, 1 welder superisor and 1 HSE Officer at PT. Aziz Jaya Abadi, Tuban. Samples from this study is the total population. Primary data were collected in the manner of observation and interviewing where as the secondary data obtained from the PT. Aziz Abadi Jaya Tuban profile and Oxy-Cutting Job Safety Analysis. The results showed that the hazards identified in Oxy-Cutting work on PT. Aziz Jaya Abadi Tuban includes damaged regulator, flashback arrestor not avaliable, leaking or torn hoses, the pressure is not balanced, smoking workers, the heat source due to the reaction of Oxy-Acetylene, dust, noise, and poor ergonomics. Company recommended to do risk control that doesnt exist yet to push the risk level with doingflashback arrestor installation and regulator replacement, noise measurement and environment measurement, provision of a fire extinguisher, tighten regulation of the use of personal protective equipment and conduct risk assessment at least once a year

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ABSTRACT While developing its new crisis management plan in 1989, BP America (BPA) modified the incident command system (ICS) for use as the organizational structure of its oil spill response team. This was done to be compatible with the post-Exxon Valdez organization of the Alyeska response team and for certain advantages it would provide for responses in other locations and in other types of crisis situations. The ICS was originally developed for fighting wildfires in California and has since been widely adopted by other fire and emergency services in the U. S. While retaining most of the ICS structure, ?PA developed modifications necessary to fit the unique requirements of oil spill response. The modified ICS was used during a full scale test of ?PA's draft crisis management plan in December 1989, and thus was familiar to ?PA's top executives and other participating response team members. When the American Trader spill occurred in February 1990, BPA's management used the modified ICS organization even though the crisis management plan had not been finalized or widely distributed within the company. Details of the organizational structure evolved as the spill response progressed, in part due to the changing requirements of the response over time and in part because of previously unrecognized issues. This paper describes that evolution and the resulting final structure. Essential differences between the original ICS and BPA's oil spill version of it are highlighted. Despite the unrecognized issues and the unfamiliarity of some team members with the ICS, the organization worked well and can be credited with a share of the success of the American Trader response.

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Ball clay is a fine-grained highly plastic, mainly kaolinitic, sedimentary clay, the higher grades of which fire to a white or near white colour. The paper will review the origin of the term "Ball Clay" and the location and origins of several deposits with particular emphasis on the mineralogical, physical and rheological properties which make the clays so important in ceramics bodies. Particular attention will be paid to the well known bay clay deposits of Devon and Dorset in southwest England, which are mined by ECC International Europe and Watts Blake Bearne & Company PLC, and brief descriptions from elsewhere in the world of ball clays from the United States, Germany, Czech Republic, Thailand, Indonesia, Argentina and China. The evaluation of deposits will be covered along with a description of the main types of ball clay for ceramics with details of the mining, processing and blending techniques which are necessary to ensure long term consistency of products. A brief description in given of the ceramic properties of some Brazilian ball clays. The location of some ball clay deposits is shown in Fig. 1.

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Regarding labour protection, therefore the Law Number 13 of 2003 concerning Manpower,Article 86 Paragraph (1) Letter a and Paragraph (2) states that:"Every worker/labourer has the right to receive protection on occupational safety and health". Then, the researchers will discuss the implementation of article 86 of law number 13 of 2003 concerning Manpower, occupational safety and health toward an operator of the gas station number 21.381.09 at RawaMakmurof Bengkulu City. The aim of this research was to know the implementation ofarticle 86 of Law Number 13 of 2003 concerning Manpower toward the operator of gas station number 21.381.09 atRawaMakmurof Bengkulu City. This research was an empirical study of qualitative research. The data sources used were secondary and primary data sources. In collecting the data, the researcher used interview, observation and documentation. After doing research, it can be concluded the following: Legal Protection at the gas stationare done by using Security Administration Body for Employment (BPJS Ketenagakerjaan) and Healthcare Security (BPJS Kesehatan), and conducted directly protection by the company by providing sweetened condensed milk as a neutralizing immune system, protective footwear shoes, and fire extinguishers as firefighters.

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This article is dedicated to the research of synonymous groups for the designation of doubt “Hesitate, Waver, Vacillate, Falter” and “Hesitation, Hesitancy” in contemporary English-language fictional discourse. Doubt is defined as an epistemic state in the cognitive world of individuals which provides motivation to undertake a further quest for information. The purpose of this work is to investigate how the set of semes identified in each component of the synonymous group is presented in the context of modern English fictional discourse. This research is directed towards verifying whether the use of all the components of the given synonymous groups is of equal importance in modern language discourse, as well as checking whether all the semes of “Hesitate, Waver, Vacillate, Falter” and “Hesitation, Hesitancy” are used correctly, based on the results of the componential analysis. The results of the research make it possible to form conclusions regarding the hom*ogeneity or heterogeneity of contextual sematic representations in discourse, dependent upon the number of constituents which make up the synonymous group. References Arthur, T. S. (2008). The Good Time Coming. Webster’s French Thesaurus Edition. SanDiego: Icon Classics. Bisson, T. (2009). Fire on the Mountain. Oakland: PM Press. Clark, M. S. (2011). Don’t Take Any Wooden Nickels. Eugene: Harvest House Publishers. Crystal, D. (1997). The Cambridge Encyclopedia of Language. Cambridge: CambridgeUniversity Press. Dijk, T. A. (1992). Text and Context: Explorations in the Semantics and Pragmatics ofDiscourse. Longman. Evans, V. (2006). Cognitive Linguistics. Introduction. Edinburgh: Edinburgh UniversityPress. Ortony, A. (1988). The Cognitive Structure of Emotions. Cambridge: Cambridge UniversityPress. Plutchik, R., Kellerman H. (1980). A General Psychoevolutionary Theory of Emotion. In:Emotion: Theory, Research and Experience. Vol. 1: Theories of Emotion, (pp. 3−31). NewYork: Academic Press. Thagard, P., Brun G., Doğuoğlu U., Kuenzle D. (2008). How Cognition Meets Emotion:Beliefs, Desires and Feelings as Neural Activity. In: Epistemology and Emotions, (pp.167−184). Hampshire: Ashgate Publishing Limited. Sources Ely, A. (1862). Journal of Alfred Ely, A Prisoner of War in Richmond. New York:D. Appleton and Company. Madrid-Null, M. H. (2006). Navajo Heat. Victoria: Trafford Publishing. Matza, D. (1964). Delinquency and Drift. New Jersey: Transaction Publishers. Merriam-Webster, A. (1947). Webster’s Dictionary of Synonyms. First Edition. ADictionary of Discriminated Synonyms with Antonyms and Analogous and ContrastedWords. Springfield, Massachusetts: Merriam Co. Publishers.

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The systematic analysis of the world experience of civilian use of knives not as cold weapons showed that at present the knife did not become the main attribute of equipping tourists, fish men and even hunters. In particular, today there are very few types of hunting, during which the knife is used to finish off the beast or to protect against it. At the same time, as the practice of hunting management proves, during hunting there are many uses for the knife, even without considering it as a means for cooking. This, in particular, sharpening various stakes (for a tent, a hut, a campfire), skinning a game, preparing chips for a fire, scraping ice from skis or marsh mud from shoes. To do this, in accordance with current state technical standards, any folding knife must have a lock, and the blades of all knives must be of sufficient thickness so as not to break from the load. Handles of hunting knives should be comfortable to hold so that your hand will not get tired during long-term work. For all knives, according to the technical requirements, the length and thickness of the blade must be consistent, as well as the angle of inclination of the tip relative to the axis of the blade. With regard to the above, an interesting example is the collection of knives by the Swedish company Eriksson, consisting of four models, made in the configuration of the Swedish finca. The knives have a handle and a blade of a classic Finnish knife, but with a one-sided stopper. Their blades, depending on the color of the handle, are made of different types of steel. Knives with blue plastic handles have stainless steel blades, and knives with red handles are made of carbon steel. It is believed that in Sweden almost every construction worker walks with such a knife in his pocket. It should be noted that according to the current method of forensic investigation of cold weapons and structurally similar products in it, these knives can be attributed to cold weapons by the size of the blade. It is also interesting an urban-type knife, which is not a cold weapon of the Worden Tactical Medium Company. Renowned wizard Kelly Warden, an instructor for American Rangers, designs this knife. Since 2001, Kelly Warden has been the main consultant on impact and blade weapons of Detachment 1 of the US Special Forces. He trains Special Forces hand-to-hand combat with the use of a knife, machete, baton, sticks, as well as the method of forceful detention. The blade length of the knife described is 74 mm, thickness – 3.8 mm; the handle has a sub-finger protrusion to prevent the arm from slipping on the blade. The knife does not have a standard stopper, which, in addition to protecting it from slipping the hand on the blade, must prevent the hand from sinking into the victim’s body. By all measures, this knife is not a cold weapon in accordance with the requirements of the criminal law of Ukraine. Kelly Warden believes that the knife as a means of self-defense levels the difference in weight, height and physical strength, but its main drawback is its damaging ability. The proposed article is devoted to this circ*mstance, the definition of the role of the restrictor in classifying a knife as a cold weapon.

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Fitria Devi Anggraini dan Ni Luh Put HariastutiJurusan Teknik Industri, Fakultas Teknologi Industri, Institut Teknologi Adhi Tama Surabaya Jalan Arief Rahman Hakim 100, Surabaya-60117Email : Fitriadevianggraini@yahoo.co.id, putu_hrs@yahoo.comABSTRAKRisiko menjadi bagian yang tidak terpisahkan dalam setiap aktivitas perusahaan sehingga cara terbaik yang dapat dilakukan adalah mengantisipasi dan melindungi diri terhadap risiko. Permasalahan yang terjadi pada PT BALI GRAHA SURYA adalah pada proses welding dan welding inspection, stringing pipa, dan trenching pipa di mana risiko yang terjadi memengaruhi keselamatan dan kesehatan kerja (K3) karyawan dan juga memengaruhi lama waktu penyelesaian proyek. Dalam penelitian ini digunakan konsep manajemen risiko untuk menganalisis risiko operasional, di mana konsep tersebut dilakukan untuk mengidentifikasi, mengawasi, dan mengkomunikasikan kejadian risiko yang berhubungan dengan segala aktivitas yang terjadi di perusahaan. Dari hasil penelitian didapatkan bahwa risiko yang ada pada proses welding dan welding inspection adalah risiko terbakar, bahaya sinar UV dari pengelasan, bahaya panas, bahaya percikan api las, kejatuhan pipa dan tersetrum mesin las dengan total indeks risiko sebesar 9,324. Stringing pipa memiliki risiko tertimpa dan terjepit pipa dengan total indeks risiko sebesar 8,481 dan Trenching pipa memiliki risiko tanah longsor pada bantaran dengan total indeks risiko sebesar 8,092. Tindakan untuk penanganan risiko tersebut adalah dengan mewajibkan pekerja menggunakan APD, memeriksa semua kondisi isolasi untuk mengetahui kondisi alat yang akan digunakan, bekerja sesuai dengan SOP, memasang dinding pengaman galian, dan penempatan tanah bekas galian minimal 1 meter dari bibir galian.Kata Kunci : Risiko, Keselamatan dan Kesehatan Kerja, Manajemen Risiko.ABSTRACT The risk is a common part in every business process of any corporation, so anticipation and protection are the best action to overcome it. In PT BALI GRAHA SURYA, the problems often happen in the welding process and inspection, stringing pipe and pipe trenching where its risk affects the safety & health of labor and the time completion of project. This research adopts risk management concept to analyze the operational risk where that concept aims to identify, monitor, and communicate the risk events associated with all the activities, functions or processes that occur in the company. The result shows that the risks occurred in the welding process and inspection are fire hazards, UV rays from welding hazards, thermal hazards, welding sparks, pipe collapse and electric shock. Those risks count total risks index 9,324. For stringing-pipe task, the risks such as crushed and wedged by pipelines count total risks index 8,481. Trenching pipelines task counts total risk index 8,092 caused by landslides in the riverbank. The risks management effort can be performed by requiring workers to use appropriate personal protective equipment, inspecting all insulation conditions in order to determine the condition of the tool to be used, working in accordance with the SOP, installing excavation security wall, and placing ex- excavation at least 1 meter away from the edge of excavation.Keywords : Risk, Health and Safety, Risk Management.

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A colheita mecanizada da cana-de-açúcar foi implantada devido a questões econômicas, operacionais e ambientais. Desta forma o material remanescente das operações de colheita mecanizada pode causar problemas como a incidência de pragas de difícil controle e incêndios acidentais e criminosos. A utilização do resíduo disponível no campo, através do recolhimento e enfardamento desse material, proporciona novas fontes de energia para a indústria. Esse trabalho teve como objetivo avaliar o desempenho operacional e econômico de duas enfardadoras de palhiço de cana-de-açúcar em condições distintas de velocidade e quantidades de palhiço Aleirada para enfardamento, em uma usina canavieira no município de São Miguel dos Campos – AL. As máquinas foram avaliadas em três volumes diferentes de recolhimento do palhiço, regulando-se o aleirador para o recolhimento de cada volume de palhiço. Foi avaliado, o tempo de produção entre cada fardo, a quantidade de fardos produzidos por hora por cada máquina, distâncias entre fardos, capacidade operacional, custo horário e operacional de trabalho. Os resultados obtidos mostram que o T1 proporcionou menor tempo na produção entre fardos. A menor distância entre fardos foi no T1 com média de 61 metros, entre cada fardo produzido A Máquina 2 produziu maior quantidade de fardos por hora. A Máquina 2 apresentou maior rendimento operacional (49,7% e 51,8%) no volume de 50% e 70% respectivamente. A enfardadora 2 apresentou menor custo operacional de R$ 28,39 há-1 quando recolhido 70% do volume total do palhiço. Quanto mais se recolhe palhiço, menor será o custo por fardo.PALAVRAS-CHAVE: Enfardamento, Resíduo Vegetal, BiomassaCOMPARISON OF TWO BALERS PRODUCTION OF SUGAR CANE STRAWBALES PRISMATIC SQUARE. ABSTRACT: The mechanized harvesting of sugar cane was implemented due to economic, operational, and environmental issues. Thus, the remaining material of mechanized harvesting operations can cause problems such as the incidence of difficult to control pests and accidental and criminal fire. The use of the residue available in the field, through collection and baling of this material provides new energy sources for industry. This study aimed to evaluate the operational and economic performance of two balers for sugar cane straw under conditions of speed and amounts of straw accumulated for baling, at a sugar cane company located in Sao Miguel dos Campos - AL. The machines were evaluated in three different volumes of straw gathering, regulating the straw collecting volume. The production time between each burden, the quantity of bales produced per hour for each machine, the distances between bales operating capacity and operating cost per hour of labor were assessed. The results showed that the T1 took less time in production between bales. The shortest distance between bales was reach by the T1 with an average of 61 meters between each bale produced Machine 2 produced the greatest amount of bales per hour. The machine 2 presented higher operating efficiencies, 49.7% and 51.8%, collecting 50% and 70% volume of straw, respectively. The baler 2 showed lower cost (R$ 28.39 ha-1) collecteing 70% of the total volume of straw. The more straw volume was collected, the lower was the cost per bale.KEYWORDS: Baling, Plant residue, Biomass.

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Представлена история создания и развития водоснабжения в г. Самаре. Современному жителю большого города сейчас трудно понять, но на протяжении нескольких столетий Самара испытывала серьезные проблемы из-за хронической нехватки воды. В город, стоящий между двумя реками, воду ежедневно доставляли многочисленные водовозы на конных повозках в бочках и прочих емкостях. Самара была беспомощна перед регулярно вспыхивавшими в ней пожарами, от которых периодически город выгорал почти целиком. Такая ситуация продолжалась почти до конца XIX века. Попытки построить водопровод в Самаре были, но оказались неудачными. В 1881 г. в журнале «Зодчий» был объявлен конкурс на составление технического проекта устройства водоснабжения г. Самары, в июне 1883 г. на конкурс было представлено 11 проектов. После их обсуждения первую премию в 3000 руб. получил проект заведующего московскими водопроводами инженера Николая Петровича Зимина. Строительство самарского водопровода началось сразу же после подписания договора с компанией «Торговый дом братьев Бромлей и К°» на выполнение работ. И уже 1 октября 1886 г. началась подача воды на главные улицы города. Благодаря уникальным инженерным решениям Н. П. Зимина в Самаре стал действовать оборудованный по последнему слову техники первый в России противопожарный водопровод. В то время только некоторые города Европы имели это чудо техники. Сейчас история самарского водопровода насчитывает 135 лет. Для сохранения истории создания системы водоснабжения города с 13 июля 2018 г. на площадке Городской водопроводной станции действует музей истории самарского водопровода «На Дне». Современная водопроводная система городского округа Самара снабжает питьевой водой более 1,2 млн жителей. Развитие продолжается. The history of the creation and development of the water supply in Samara is presented. It is difficult for a modern resident of a large city to understand now; however, for several centuries Samara has experienced serious problems due to a persistent deficit of water. Numerous water carriers on horse-drawn carriages in barrels and other containers delivered water to the city located between two rivers. Samara was helpless before the fires that regularly flared up in it that resulted in almost entire city burning out. This situation preserved almost until the end of the 19th century. There were attempts, however unsuccessful, to build a water supply system in Samara. In 1881, the Zodchii magazine announced a competition to draw up a technical project for a water supply system for the city of Samara; in June 1883, 11 projects were submitted for the competition. After appropriate reviewing, the first prize of 3000 rubles was awarded to the project by engineer Nikolai Petrovich Zimin, the head of the Moscow water supply system. The construction of the Samara water supply system started immediately after the signing of an agreement with the company «Trading House of Brothers Bromley and Co.» for the execution of works. And already on October 1, 1886, the water supply to the main streets of the city began. Owing to the unique engineering solutions of N. P. Zimin, the first fire-fighting water supply system in Russia, equipped with a state-of-the-art-infrastructure was commissioned in Samara. At that time, only a few cities in Europe had this marvel of engineering. Now the history of the Samara water supply system goes back 135 years. To preserve the history of the creation of the municipal water supply system, «Na Dne» («At the Bottom») museum of the history of the Samara water supply system has been operating since July 13, 2018 at the premises of the municipal water treatment plant. The modern water supply system of the Samara urban district supplies drinking water to more than 1.2 million residents. Development continues.

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Sufis and Anti-Sufis: the Defence, Rethinking and Rejection of Sufism in the Modern World. Elizabeth Sirriyeh, London: Curzon, 1998, 188 pp. Pilgrims of Love: The Anthropology of a Global Sufi Cult. Pnina Werbner. London, Hurst & Company, April 2004, 348 pp. Perspectives on Early Islamic Mysticism: The World of al-Hak’m al-Tirmidhi and his contemporaries. Sara Sviri, 2005, Rotledge Curzon, 288pp. Mysticism and Politics: A Critical Reading of Fi zilal al-Qur’an by Sayyid Qutb (1906-1966). Oliver Carré. Carol Aritgues (tr.), 2003, Brill, 366pp. Kernel of the Kernel: Concerning the Wayfaring and Spiritual Journey of the People of Intellect: A Shi’i Approach to Sufism. Sayyid Muahmmad Husayn Tabataba’i, Mohammad fa*ghfoory (tr.), New York: SUNY Press, 2003, 149 pp. Popular Sufism in Eastern Europe. H.T. Norris, Routledge Curzon, 2005, Sufism in South Asia: Impact on Fourteenth Century Muslim Society. Riazul Islam, Oxford University Press, 2002, 140 pp. Me and Rumi: The Autobiography of Shems-i Tabrizi. William Chittick (Introduced, Translated and Annotated), Fonsvitae, 2004, 408 pp. Three Early Sufi Texts: A Treatise of the Heart by Al-Hakim Al-Tirmidhi, The Stumblings of Those Aspiring, and Stations of the Righteous by Abu’Abd al-Rahman al-Sulami al Naysaburi. Nicholas Heer and Kenneth Honerkamp (tr.), Fons Vitae, 192 pp. The Book of Assistance. Imam Abdallah Ibn-Alawi Al-Haddad, Mostafa Badawi (tr.), Fons Vitae, 2004, 152 pp. In the Company of Friends: Dreamwork within a Sufi Group. Llewellyn Vaughan-Lee, The Golden Sufi Center, 1994, 216 pp. The Heart of Sufism: Essential Writings of Hazrat Inayat Khan. Hazrat Inayat Khan. Boston: Shambhala Publications, 1998, 400 pp. . I Am Wind, You Are Fire: The Life and Works of Rumi. Annemarie Schimmel, Boston: Shambhala Publications, 1992, 224 pp. The Knowing Heart: A Sufi Path of Transformation. Kabir Helminski, Boston: Shambhala Publications, 2000, 304 ppز Teachings of Sufism. Carl W. Ernst (tr.). Boston: Shambhala Publications, 1999, 240 pp. Twilight Goddess: Spiritual Feminism and Feminine Spirituality. Sartaz Aziz, Thomas Cleary. Boston: Shambhala Publications, 2002, 288 pp. Women of Sufism: A Hidden Treasure. Camille Adams Helminski (ed.), Boston: Shambhala Publications, 2003, 336 pp. Light of Oneness. Llewellyn Vaughan-Lee. The Golden Sufi Center, 2004, 192 pp. Purification of the Heart: Signs, Symptoms and Cures of the Spiritual Diseases of the Heart. Hamza Yusuf. Starlatch LLC, 2004, 268 pp. Principles of Sufism by Al-Qushayri. Translated by B.R. von Schilegell and Hamid Algar, New York: Mizan Press, 1990, 366 p. The Path of God’s Bondsmen: from Origin to Return. Najm Al-Din Razi, Hamid Algar (tr.), New Jersey: Islamic Publications International, 2003, 544 p. The Taste of Hidden Things. Sara Sviri. The Golden Sufi Center, 1997, 288 pp. The Bond with the Beloved: The Mystical Relationship of the Lover and the Beloved. Llewellyn Vaughan-Lee, The Golden Sufi Center, 2004, 155 pp. Signs of God. Llewellyn Vaughan-Lee. The Golden Sufi Center, 2001, 160 pp. Sufism: The Transformation of the Heart. Llewellyn Vaughan-Lee. The Golden Sufi Center, 1995, 222 pp. Paths to the Heart: Sufism and the Christian East (Perennial Philosophy series. James S. Cutsinger, World Wisdom Books 2002, 278 pp. Mystical Dimensions of Islam. Annemarie Schimmel. University of North Carolina Press. 1975, 527 pp. عقيدة الصوفية: وحدة الوجود الخفية، أحمد بن عبد العزيز القصير، الرياض: مكتبة الرشد ناشرون، 2003، 736 ص. التعرف لمذهب أهل التصوف، أبو بكر الكلاباذي، ترجمة وتحقيق أحمد شمس الدين، دار الكتب العلمية، 2001، 232 ص. شعرية الخطاب الصوفي: الرمز الخمري عند ابن الفارض نموذجاً، محمد يعيش، تقديم د. محمد السرغيني، سايس-فاس: منشورات كلية الآداب والعلوم الإنسانية، سلسلة رسائل وأطروحات رقم 1، 2003، 386 ص. نظرات في التصوف الإسلامي، محمد رضا بشير القهوجي، دمشق، بيروت: دار الكلم الطيب، ط1، 2004، 236ص. معلمة التصوف الإسلامي: التصوف المغربي من خلال رجالاته، عبد العزيز بنعبد الله، الرباط: مطبعة المعارف الجديدة، ثلاثة أجزاء، ط1، 2001، 287ص. التصوف والسلطة بالمغرب الموحدي (القرنان 6-7ﻫ / 12-13م ): مساهمة في دراسة ثنائية الحكم والدين في النسق المغربي الوسيط، محمد الشريف، الرباط: منشورات الجمعية المغربية للدراسات الأندلسية، رقم 8، ط1، 2004، 104ص. مشايخ الصوفية: الانحراف التربوي والفساد العقدي: عبد السلام ياسين أستاذاً ومرشداً. أبو عبد الرحمن ذو الغفار، تقديم الشيخ المحدث أبي أويس محمد بوخبزة الحسن، ط1، الرباط: مطابع طوب بريس، 2004، 135ص رسالة البيان والتبيان في أن الصوفية مذهبها السنة والقرآن، سيدي المختار بن أحمد فال العلوي التجاني الشنقيطي، ضبطه وصححه وخرّج آياته وأحاديثه مرسي محمد علي، بيروت: دار الكتب العلمية، ط1، 2002م، 110ص. الصوفي والآخر: دراسات نقدية في الفكر الإسلامي المقارن، عبد السلام الغرميني، الدار البيضاء: شركة النشر والتوزيع، ط1، 2000م، 191ص. مطلب الفوز والفلاح في آداب طريق أهل الفضل والصلاح، عيسى بن محمد الرّاسي البطوئي، دراسة وتحقيق د. حسن الفكيكي، الرباط: مركز طارق بن زياد للدراسات والأبحاث، ط1، د.ت.، 170ص. الصوفية في الشعر المغربي المعاصر: المفاهيم والتجليات، محمد بنعمارة، الدار البيضاء: شركة النشر والتوزيع، ط1، 2000م، 351ص. السفينة القادرية، عبد القادر الجيلاني الحسني، تحقيق عبد الجليل عبد السلام، بيروت: دار الكتب العلمية، 2002، 256ص. قراءة صوفية لإنجيل يوحنا، إعداد مظهر الملوحي [وآخرون]، بيروت: بيسان للنشر والتوزيع، 2004، 452ص. الفناء عند صوفية المسلمين والعقائد الأخرى، عبد الباري محمد داود، القاهرة: الدار المصرية اللبنانية، 1997، 527ص. رسائل من التراث الصوفي في لبس الخرقة، تحقيق إحسان ذنون الثامري، محمد عبد الله القدحات، عمان: دار الرازي، 2002، 313ص. الدلالة النورانية للطريقة الخلوتية الجامعة الرحمانية، حسني حسن الشريف، عمان: دار الإيمان، 1998، 255ص. الموسوعة الصوفية، عبد الغني الحفني، القاهرة: مكتبة مدبولي، 2003، 1038ص. التصوف والفلسفة، ولتر ستيس، ترجمة إمام عبد الفتاح إمام، القاهرة: مكتبة مدبولي، 1999، 412ص. التصوف الإسلامي: حقيقته وتاريخه ودوره الحضاري، عزمي طه السيد أحمد، ط2، عمان: المؤسسة العربية الدولية للتوزيع، 2004، 216ص. للحصول على كامل المقالة مجانا يرجى النّقر على ملف ال PDF في اعلى يمين الصفحة.

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Balls of fire were shooting along the wire from the pole (utility companys) to the house, was the description given by a Burlingame, California neighbor lady in 1975. Consequently the government fire investigator listed as a possible fire cause, electrical power surge. (1) Then the insurance carrier hoping to subrogate sought further investigation by an electrical engineer, myself, of this alleged power surge as a cause of the fire. Moving balls of fire may indicate ball lightning, the existence of which has been a controversial subject for many years. Observers have described it as a light blue or grey ball-like glow on a conductor that travelled slowly along the conductor without damage. Other descriptions have the glowing ball just moving in air and capable of inflicting damage. The purpose of this paper is to show that there are the two separate phenomena: perceived travelling balls of fire on utility company service drop conductors and ball lightning on conductors. F

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Introduction: Although Mobile Stroke Treatment Units (MSTU) can reduce time to intravenous thrombolysis (IVtPA), limitations in MSTU care have not been well described. Methods: We retrospectively reviewed consecutive patients transported by MSTU to our academic comprehensive stroke center (CSC) from May 2019 to August 2020 for suspected stroke to assess for potential limitations of care. The Columbus MSTU is owned by a separate health system, but represents a collaborative venture with 3 CSCs and the Columbus Division of Fire, operating daily from 7am-7pm. Data was abstracted on demographics, clinical presentation, last known normal (LKN) time, initial National Institutes of Health Stroke Scale (NIHSS), neuroimaging, and IVtPA administration. Results: Among 93 patients transported to our CSC by MSTU, the mean age was 65 years (range, 21-93) and 61 (66%) were female. The mean initial NIHSS was 7.1 (range, 0 to 33) and 52 (55.9%) had a final diagnosis of stroke (4 hemorrhagic, 48 ischemic). IVtPA was administered in 15 (16.1%) with a mean LKN to IVtPA time of 120 minutes (range, 41 to 243). Among 15 patients treated with IVtPA, 10 received IVtPA in MSTU and 5 in CSC ED. In 7 patients who underwent thrombectomy, mean door to groin time was 57 minutes (range, 28 to 88). Among the overall group, 9 (9.7%) cases were identified with limitations in MSTU care, including 2 patients who received IVtPA by MSTU that were more than 10% off from ideal dosing (underdosed by 9mg and overdosed by 21mg), 1 warfarin-associated hemorrhage requiring intubation who did not receive reversal in MSTU but did upon arrival to CSC ED, and 5 patients who received IVtPA after arrival to CSC ED. The reasons for withholding IVtPA included inability to confirm LKN, patient declination, lack of translator, incorrect LKN, and seizure requiring intubation. The LKN to IVtPA time was significantly longer in the ED compared to MSTU (197 vs 82 minutes, p <0.0001). Conclusion: In our series of suspected stroke patients evaluated by MSTU, gaps identified within MSTU acute stroke care were related to limitations of resources and included errors in weight-based IVtPA dosing, inability to administer IVtPA, or reversal for anti-coagulation related hemorrhage. Clinicians need to be aware of potential pitfalls of MSTU evaluation.

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Oil and gas sectors have become important elements in the economy of Indonesia . The question now is, what can be done by private owned company which has the advantage of very large exploration to overcome poverty? Can corporate social responsibility programs or Corporate Social Responsibility ( CSR ) become one important solution in reducing poverty? Joint Operating Body Pertamina Petrochina East Java (JOB-PPEJ) JOB P-PEJ operational activities gave rise to the Flare (fire hot) which directly impact on the environment override Rahayu village, the site of its formation. Therefore, it is the duty of the company to carry out CSR programs through the estate as a form of social and environmental responsibility especially in Rahayu village in order to realize sustainable development in the village. In this study , researchers used a type of descriptive research methods with qualitative approach. In conclusion, 1) The implementation of CSR programs in the JOB - PPEJ had already a positive impact or benefit to society in particular Rahayu Village. 2) CSR programs aimed at tackling the problem of poverty is not a top priority. So that the rural poor have not been so feel real economic impact on their lives. 3) The success implementation of CSR program JOB - PPEJ is influenced by several supporting and inhibiting factors. The supporting factors to the success implementation of CSR programs in improving the economic standard RTSM around oil drilling sites are the amount of funds allocated by the company for these and other programs that will be implemented . While the factors that hinder the CSR program in improving the economic standard RTSM around oil drilling sites is the lack of proper coordination between the company, the village and the poor.

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Introduction: Survival from out-of-hospital cardiac arrest (OHCA) has significant variation which may be due to differing rates of bystander cardiopulmonary resuscitation (BCPR). Defining and understanding the community characteristics of high-risk areas (census tracts with low BCPR rates and high OHCA incidence) can help inform novel interventions to improve outcomes. Our objectives were to identify high and low risk census tracts in Franklin County, Ohio and to compare the OHCA incidence, BCPR rates, and community characteristics. Methods: This was a cross-sectional analysis of OHCA events treated by Columbus Division of Fire in Franklin County, Ohio from the Cardiac Arrest Registry to Enhance Survival between 1/1/2010-12/31/2017. Included cases were 18 and older, with a cardiac etiology OHCA in a non-healthcare setting, with EMS resuscitation attempted. After geocoding to census tracts, Local Moran’s I and quartiles were used to determine clustering in high risk areas based on spatial Empirical Bayes smoothed rates. Community characteristics, from the 2014 American Community Survey, were compared between high and low risk areas. Results: From the 3,841 included OHCA cases, the mean adjusted OHCA incidence per census tract was 0.67 per 1,000 with a mean adjusted BCPR rate of 31% and mean adjusted survival to discharge of 9.4%. In the 25 census tracts identified as high-risk areas, there were significant differences in characteristics compared to low-risk areas, including a higher proportion of African Americans (64% vs. 21%, p<0.001), lower median household income ($30,948 vs. $54,388, p<0.001), and a higher proportion living below the poverty level (36% vs. 20%, p<0.001). There was a 3-fold increase in the adjusted OHCA incidence between high and low risk areas (1.68 vs. 0.57 per 1,000, p<0.001) with BCPR rates of 27% and 31% (p=0.31), respectively. Compared to a previous analysis, 9 (36%) census tracts persisted as high-risk but an additional 16 were newly identified. Conclusions: Neighborhood-level variations in OHCA incidence are dramatic with marked disparities in characteristics between high and low risk areas. It is possible that improving OHCA outcomes requires multifaceted interventions to address social determinants of health.

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For a country, the industry is a very important system, the embodiment of the country's comprehensive national strength, the country's economic development level and the development of science and technology level has direct impact on industry. The development of chemical industry also has great impetus to the national economic development. The technical requirements for chemical engineering are particularly high. Because of the danger of the chemical itself, safety becomes the first thing to notice in the construction process. In order to prevent the occurrence of danger in the actual construction process, the safety of chemical engineering construction is made, and the effective safety management is the most critical step. A reliable safety management is the guarantee for the smooth construction of the construction, so the early safety management becomes the key to the development of the chemical industry. Chemical engineering is an extremely complex and changeable system, and the kinds of problems involved are very many, which requires the construction personnel to pay more attention to ensure the safety. In order to implement the safety management measures in the process of chemical engineering construction, it is necessary for the management personnel to strictly control the whole construction process. In case of any problem, we should deal with it in a timely manner and pay more attention to the details. We should pay attention to fire prevention, pollution prevention and anti-explosion prevention. Technical personnel should pay more attention to technical problems and eliminate safety hazards. The construction company must also strengthen the personal quality of the project management personnel and other issues. It is necessary to examine personal responsibility and safety awareness and avoid unnecessary losses caused by various construction safety issues to the company[1].

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For a country, the industry is a very important system, the embodiment of the country's comprehensive national strength, the country's economic development level and the development of science and technology level has direct impact on industry. The development of chemical industry also has great impetus to the national economic development. The technical requirements for chemical engineering are particularly high. Because of the danger of the chemical itself, safety becomes the first thing to notice in the construction process. In order to prevent the occurrence of danger in the actual construction process, the safety of chemical engineering construction is made, and the effective safety management is the most critical step. A reliable safety management is the guarantee for the smooth construction of the construction, so the early safety management becomes the key to the development of the chemical industry. Chemical engineering is an extremely complex and changeable system, and the kinds of problems involved are very many, which requires the construction personnel to pay more attention to ensure the safety. In order to implement the safety management measures in the process of chemical engineering construction, it is necessary for the management personnel to strictly control the whole construction process. In case of any problem, we should deal with it in a timely manner and pay more attention to the details. We should pay attention to fire prevention, pollution prevention and anti-explosion prevention. Technical personnel should pay more attention to technical problems and eliminate safety hazards. The construction company must also strengthen the personal quality of the project management personnel and other issues. It is necessary to examine personal responsibility and safety awareness and avoid unnecessary losses caused by various construction safety issues to the company[1].

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Lettuce (Lactuca sativa L.) is produced in Norway both in field and greenhouses. In Norway, greenhouse lettuce is one of the most important vegetables grown year-round. In winter 2018, wilting symptoms were observed on soil-grown lettuce of the cultivar Frillice in a greenhouse in south east Norway (Buskerud county). Affected plants showed stunted growth, wilting of outer leaves, and brownish discoloration of vascular tissues of taproots and crowns. According to the producer, the disease led to an estimated 10% of yield losses. Fungal isolates were obtained from crowns and roots of diseased plants collected from the greenhouse in 2018 and 2019. Two single spore isolates, 231274 from 2018 and 231725 from 2019, were used in further studies. The isolates were incubated on synthetic nutrient-poor agar (SNA) at 18-20 ⁰C, and a 12 hours dark, 12 hours UV light cycle. Isolate 231274 produced abundant macro- and microconidia characteristics of Fusarium oxysporum while macroconidia were never observed in isolate 231725. On potato dextrose agar (PDA), colonies of isolate 231274 were purple in color and colonies of isolate 231725 were pinkish with abundant aerial mycelium. For PCR-assay, DNA from mycelia was extracted using Easy-DNA kit (Invitrogen). A portion of the translation elongation factor 1-α (EF1-α) gene was amplified using primers F-728F (Carbone and Kohn. 1999) and EF2 (O'Donnell et al. 1998) as described by Aas et al. 2018. Blast analysis of both sequences (accession no. MW316853 for 231274 and MW316854 for 231275) obtained a 99% hom*ology with the sequence of Fusarium oxysporum f.sp. lactucae (FOL) race 1 strain S1 (accession no. DQ837657)(Mbofung et al. 2007). Both isolates were identified as race 1 by using specific primers Hani3’ and Hanilatt3rev (Pasquali et al. 2007) as described by Cabral et al. 2014. To complete Koch’s postulate, lettuce plants of the cultivar Frillice were used. Race identity was confirmed using the differential lettuce cultivars Costa Rica No.4 (resistant to FOL race 1), Banchu Red Fire (resistant to FOL races 2 and 4) and Romana Romabella (resistant to FOL races 1 and 2) (Gilardi et al. 2017) provided by the breeding company Rijk Zwaan (De Lier, The Netherlands). For inoculation, roots of six 2-weeks old seedlings per cultivar were dipped in a spore suspension (1 x 106 CFU/ml) for 1 min, while controls were dipped in distilled water. Seedlings were planted in 250 ml pots containing fertilized potting substrate, and were placed in a greenhouse with temperature ranging from 15 to 35 ⁰C and an average of 23 ⁰C. After 10 days reduced growth was observed in cultivars Frillice and Banchu Red Fire for both fungal isolates. After 25 days wilting was observed in both cultivars. Affected plants presented discoloration of vascular tissue. No difference in growth was observed between cultivars Romana Romabella and Costa Rica No. 4 and their respective controls. FOL was re-isolated from all inoculated cultivars but not from controls. The colony patterns of the recovered isolates were the same than those of the isolates used for inoculation. These results confirm that the isolate belongs to race 1. Greenhouse lettuce in Norway is mainly produced in hydroponics. FOL is here reported to cause damages in soil- grown lettuce. Nevertheless FOL in hydroponic systems has been reported in Japan (Fujinaga et al. 2003) and Thailand (Thongkamngam and Jaenaksorn 2017). Thus, the possibility of infections in hydroponics remain a big concern for lettuce production in Norway.

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Barnhart, L. Edwin (2003) The Milky Way as the Path to the Otherworld: A Comparison of Pre-Columbian New World Cultures. Austin: University of Texas Press, 16 p. Breck, J. (2008). The shape of biblical language: Chiasmus in the scriptures and beyond. St. Vladimir's Seminary Press. Concepts and contrasts: monography (2017) Petluchenko, N.V., Potapenko, S.I., Babelyuk O.A., Streltsov, E.I. (chief ed. N.V. Petluchenko). Odessa: Publishing House “Helvetika”, 632 p. Condra, Jill (2013). Encyclopedia of National Dress: Traditional Clothing Around the World. ABC-CLIO, p. 624. Freeman, M.H. (2007). Poetic iconicity. In Cognition in language. Chlopicki, W., Pawelec, A., & Pokojska, A. (eds.). Krakow: Terrium, pp. 472-501. Garrett, J.T. & Garrett, M. (1996) Medicine of the Cherokee. The Way of Right Relationship. Rochester, Vermont: Bear & Company Publishing, 223 p. Garrett, M. (1998). Walking on the wind: Cherokee teachings for healing through harmony and balance. New York: Bear and company publishing, 193 p. Hogan, L. (1995). Dwellings. New York: Toughstone Book, 159 p. Hogan, L. (2000). Mean spirit. NewYork: The Ballantine Publishing Group, 377 p. Kline, A.S. (2000) Ovid. The Metamorphoses. Nerthelands: Poetry in Translation, 681 p. Lincoln, K. (1985). Native American Renaissance. California: University of California Press, 313 p. Merriam Webster’s Collegiate Dictionary (2009). 11th edition, Kindle Edition, 1664 p. Powers, William K. (1975) Oglala Religion. Lincoln/London: University of Nebraska Press, 225 p. Skagga. S. (2017) Fire Signs. A Semiotic Theory for Graphic Design. Cambridge, Massachusetts, London, England: The MIT Press, 275 p. Schmid, W. (2010) Narratology: an Introduction. Berlin/New York : De Gruyter, 258 p. Shanley, K.W. (1997). Linda Hogan. In Dictionary of literary biography. Detroit: Bruccoli Clark Layman, 175, p. 123-130. Tollers, V. L. & Maier J. (1990). Mappings of the biblical terrain: The bible as text. Lewisburg, PA: Bucknell University Press. Urton, Gary (1981) At the Crossroads of the Earth and the Sky - An Andean Cosmology. Austin: University of Texas Press, p. 38. Volkova, S.V. (2017) The Semiotics of Folkdance in Amerindian Literary Prose. In Language – Literature – the Arts: A Cognitive-Semiotic Interface. Frankfurt am Main ∙ Bern ∙ New York ∙ Oxford ∙ Warszawa ∙ Wien: Peter Lang Edition, vol. 14. Text – Meaning – Context: Cracow Studies in English Language, Literature and Culture, pp. 149 – 164. Volkova, S.V. (2018) Iconicity of syntax and narrative in Amerindian prosaic texts. In Lege Artis. Language yesterday, today, tomorrow. Warsaw: De Gruyter Open, vol. III (1), pp. 448-479.

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Oncor Electric Delivery Company, LLC (Oncor) is planning to construct the Owl Hills—Tunstill 138-kV Transmission Line Route in Culberson, Reeves and Loving Counties, Texas. Oncor contracted with Halff Associates, Inc. to conduct an intensive pedestrian survey of 18.5 miles of new 138-kV transmission line on private property. The survey was conducted January 20-24, 2020 and a total of 102 shovel tests were excavated in areas where buried archeological deposits where expected, and two 15-meter (32.8-foot) transects underwent pedestrian survey within the 70-foot (21.3-meter) wide survey corridor, which measures approximately 157 acres. Three archeological sites (41RV208, 41RV209 and 41RV213) were identified and recorded during the archeological survey. Site 41RV208 is a prehistoric occupation containing a surface deposit of 12 lithic debitage, 6 flake tools, 6 cores, 2 groundstone fragments and 40 fire cracked rocks (FCR). The site is situated on a gravelly and deflated upland that forms the western rim of the Pecos River valley. Site 41RV209 consists of a prehistoric occupation containing a surface deposit of 12 FCR, 6 lithic debitage, 3 flake tools, 2 cores, 1 uniface, and 1 biface. This site is situated on the heavily eroded west bank of Salt Creek and has been disturbed by construction activities associated with an adjacent pipeline corridor. Site 41RV213 is an abandoned section of the Atchison, Topeka & Santa Fe (ATSF) Railway that parallels U.S. Highway 285 to the east. The section of railroad in the surveyed area has undergone extensive disturbance and consists of a narrow linear piling of fill, railroad gravels and non-descript metal debris. It is Halff’s recommendation that sites 41RV208, 41RV209 and 41RV213 are ineligible for National Register of Historic Places consideration in the surveyed area and no further cultural resources investigations are warranted for the project. While shovel testing within the lower terraces of the Pecos River valley floor resulted in negative findings, most of the shovel tests in this area did not encounter restrictive deposits soil or geologic deposits that antedate the Holocene. Therefore, the installation of the transmission line poles located along the lower alluvial terraces of the Pecos River was recommended for archeological monitoring. Halff recommends that construction of the remainder of the proposed transmission line route be allowed to proceed and that no additional archaeological investigations are recommended outside of the monitoring area. However, if the proposed transmission line route alignment changes, additional archeological survey may be necessary. In addition, should any cultural resources be discovered during the construction or maintenance activities associated with the project, work in the immediate area shall cease and the Texas Historical Commission be notified of the discovery.

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To say something is complex can often be conclusive. It can mean that an issue or an idea is too difficult to explain or understand, or has too many aspects to examine clearly. In many ways the designation “complex” can be an abdication, an end to an argument or discussion. An epochal change in thinking about complexity dates from post structuralist challenges to the idea that the world was known by arguing that everything was indeed much more complex than master narratives would suggest. In the last decade a social scientific engagement with complexity theory has meant that social and cultural meanings of “complex” and “complexity” are being explored. “Complex” has also made a renaissance within the popular and everyday imagination. Reference to “complex” and “complexity” can be found in advertising campaigns for Sydney City Rail (Figure 1), as well as advertising for a telecommunication company (Figure 2). Figure 1 Figure 2 In our feature article Bob Hodge provides a detailed analysis of Sydney City Rail’s “Rail Clearways” advertising campaign. In a comparable campaign, a telecommunications company claims “Simplicity trumps Complexity”. It seems that advertisers will call any networking system “complex” because its binary is “simple”, from the Latin simplex. Simple versus Complex creates a nice image of a telecommunication company possessing a SIMPLE solution for any COMPLEX networking system. “Simplicity trumps Complexity” denotes a competition between the two meanings and a “simple” solution for “complex” networking needs can be found within this company’s product portfolio. Rather than position “complex” in competition with “simple”, we wanted to explore the possibilities of “complex”. The idea of “complex” as a beginning, not a conclusion, has been the driving concept behind this journal edition. This M/C Journal edition assembles seemingly disparate interpretations of “complex”. We did not want to reduce a journal edition on “complex” into “simple” neat links. Instead, we have grouped the articles together under four titles: “‘Complex’ and Affect: Complexities in the Concept of Love”, “Situating ‘Complex’ within Fixed Social and Cultural Systems”, “Positioning ‘Complex’ in Cultural Theories” and “Locating ‘Complex’ in Design”. This thematic arrangement demonstrates how each interpretation of “complex” forms assemblages and from this other assemblages can be formed. Such an approach reveals the way in which “complex” entities emerge from “complex” processes. Our feature article, “The Complexity Revolution”, outlines and categorises complex(ity) in its varying forms. Bob Hodge positions complex(ity) in popular culture, science and humanities. Complex(ity)’s popular meaning reduces the concept to something that is intricate, involved, complicated or multi-dimensional. In a more negative sense complex(ity) is often stripped to simplicity. This article decodes Sydney City Rail’s “Rail Clearways” publicity campaign “untangling our complex rail network” to illustrate how complex(ity) is not reducible to simplicity, it is not strictly a positive or a negative but encompasses many meanings located with popular culture, science and humanities. “Complex” and Affect: Complexities in the Concept of Love “The Heart of the Matter” positions romantic love as productive force and explores the complexity that lies within the notions of love and desire. Richard Carpenter examines why romantic love is so complex by exploring its development from a romantic ideal to encorporating notions of desire. Carpenter explores the move from love as fusion, encapsulated by the movie Jerry Maguire (“you complete me”), to Anthony Gidden’s “plastic sexuality” where desire is detached from reproductive imperatives. It is not that we have moved past romantic love, Carpenter argues, but that we should explore the complex range of possibilities created by its productive force. Adding to this exploration of love’s complexities, Glen Fuller uses the film Punch Drunk Love to illustrate the contingent nature of contemporary romance. Inspired by a conversation with a woman who claims “everyone does rsvp” this paper probes the very notion of love by relating the experiences of the film’s lead characters, Barry and Lisa, to theories by Badio and Deleuze. The continual striving for an elusive harmony is presented as the materiality of love; reconciling love’s contradictions by suggesting it is the problematic nature of romance that elicits the “wonder at the heart of love”. Situating “Complex” within Fixed Social and Cultural Processes Mario Lopez’s article explores contemporary Japanese-Philippine relations through an ethnographic study in Japan on marriages between Japanese men and Filipino women. In this article, he focuses on one aspect of his research: Filipino women attending a ‘care-giver’ course and the outcomes. Japan’s aging society and a shortage of labour in Health Care Facilities has sparked an effort by the Japanese State to source and educate Filipino women to fill the labour void. “Bride to Care Worker” outlines how Filipino women are located within a complex system of nation-state relations. It has become common to claim that we live within a culture of fear and a by-product of this is increased surveillance technologies. “Commodifying Terrorism” explores London’s Metropolitan Police use of Closed Circuit Television (CCTV) cameras to monitor and control public spaces. Yasmin Ibrahim examines how surveillance systems like CCTV locate the body and its everyday actions as stored data in an effort to “combat” terrorism and make public spaces “safer”. The ramifications are that it constructs and supports new power relationships and new risk hierarchies; raising questions of how surveillance technologies are making us safer. In “Decisions on Fire” Valerie Ingham asserts one thought process or model cannot encompass the complex decisions made on the fire-ground. Ingham argues incident commanders use “Multimodal Decision Making” a term that she developed from her ethnographic research with fire-fighters. “Multimodal Decision Making” illustrates how sensorial awareness and experiential knowledge is used when assessing and recommending a course of action to fight fires. Positioning “Complex” in Cultural Theories Sarah James examines one mural, from one street in San Francisco’s, predominantly Mexican, Mission District. She assesses how it is symbolic of complex assemblages denoting a diasporic community, post colonial histories and cultural hybridity. “Culture and Complexity: Graffiti on a San Francisco Streetscape” argues complexity theories can extend and contribute to established concepts in humanities such as post colonialism and cultural hybridity. Karen Cham and Jeffrey Johnson argue that complex systems are cultural systems. They trace the developments within interactive digital media and industry design practice to illustrate the relationship between art and complex systems. This relationship is epitomised by the possibilities inherent within interactive media for experimentation and innovation. Drawing on post-structural, science and art theory, Cham and Johnson suggest that digital mediums serve as a model that highlights the nature of complex adaptive systems. Locating “Complex” in Design A labyrinth epitomises complexity in design with its numerous choices of pathways and directions. In “A Vision of Complex Symmetry”, Ilana Shiloh applies a complexity perspective to the Coen Brothers’ neo-noir film The Man Who Wasn’t There (2001) by arguing its symbolic relationship to a labyrinth. Shiloh uses the labyrinth as a metaphor to highlight the difference between rationalistic genre in detective fiction in which complexity is simplified by the work of the detective to film noir in which the audience is taken deeper into the labyrinthine maze of a story where little makes sense and nothing is what it seems. Vince Dziekan’s curatorial project during his recent “Remote” exhibition inspired his interactive piece for our journal edition. In his paper Dziekan’s explores the creative process behind curatorship, presenting it as a design process which adds levels of complexity to the experience of the gallery space. By creating an interactive element to his work, Dziekan’s draws the reader into the experience of curatorial design, using layers of black, magenta, cyan and yellow. Each colour represents an aspect of design: the ‘black’ layer is a synopsis of curatorial design and complexity, the article is situated within the four magenta layers, the cyan layer provides a visual experience of the exhibition and the yellow layer embodies Marcel Duchamp’s “Mile of String”. Dziekan’s work is symbolic of “complex” representing layers of concepts each interacting, reflecting and affecting the other. Through these papers this journal edition presents an exploration of the idea of “complex”. A complex “revolution” (in a quiet way) infuses the vast range of topics by adding depth to challenge all types of research. This journal, in keeping with the idea of complex, illustrates the possibilities from which to start/continue in an effort to expand rather than limit the possibilities of further explorations of “complex”. Citation reference for this article MLA Style Cahir, Jayde, and Sarah James. "Complex." M/C Journal 10.3 (2007). echo date('d M. Y'); ?> <http://journal.media-culture.org.au/0706/00-editorial.php>. APA Style Cahir, J., and S. James. (Jun. 2007) "Complex," M/C Journal, 10(3). Retrieved echo date('d M. Y'); ?> from <http://journal.media-culture.org.au/0706/00-editorial.php>.

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Abstract:

As I round the corner from Church Street onto Vesey, I am abruptly met with the façade of St. Paul’s Chapel and by the sudden memory of two things, both of which have not yet happened. I think about how, in a couple of decades, the area surrounding me will be burnt to the ground. I also recall how, just after the turn of the twenty-first century, the area will again crumble onto itself. It is 1759, and I—via my avatar—am wandering through downtown New York City in the videogame space of Assassin’s Creed: Rogue (AC:R). These spatial and temporal memories stem from the fact that I have previously (that is, earlier in my life) played an AC game set in New York City during the War for Independence (later in history), wherein the city’s lower west side burns at the hands of the British. Years before that (in my biographical timeline, though much later in history) I watched from twenty-something blocks north of here as flames erupted from the twin towers of the World Trade Center. Complicating the situation further, Michel de Certeau strolls with me in spirit, pondering observations he will make from almost this exact location (though roughly 1,100 feet higher up) 220 years from now, around the time I am being born. Perhaps the oddest aspect of this convoluted and temporally layered experience is the fact that I am not actually at the corner of Church and Vesey in 1759 at all, but rather on a couch, in Virginia, now. This particular type of sudden arrival at a space is only possible when it is not planned. Prior to the moment described above, I had finished a “mission” in the game that involved my coming to the city, so I decided I would just walk around a bit in the newly discovered digital New York of 1759. I wanted to take it in. I wanted to wander. Truly Being-in-a-place means attending to the interconnected Being-ness and Being-with-ness of all of the things that make up that place (Heidegger; Haraway). Conversely, to travel to or through a place entails a type of focused directionality toward a place that you are not currently Being in. Wandering, however, demands eschewing both, neither driven by an incessant goal, nor stuck in place by introspective ruminations. Instead, wandering is perhaps best described as a sort of mobile openness. A wanderer is not quite Benjamin’s flâneur, characterised by an “idle yet assertive negotiation of the street” (Coates 28), but also, I would argue, not quite de Certeau’s “Wandersmünner, whose bodies follow the thicks and thins of an urban ‘text’ they write without being able to read it” (de Certeau 93). Wandering requires a concerted effort at non-intentionality. That description may seem to fold in on itself, to be sure, but as the spaces around us are increasingly “canalized” (Rabinow and Foucault) and designed with specific trajectories and narratives in mind, inaction leads to the unconscious enacting of an externally derived intention; whereas any attempt to subvert that design is itself a wholly intentional act. This is why wandering is so difficult. It requires shedding layers. It takes practice, like meditation.In what follows, I will explore the possibility of revelatory moments enabled by the shedding of these layers of intention through my own experience in digital space (maybe the most designed and canalized spaces we inhabit). I come to recognise, as I disavow the designed narrative of game space, that it takes on other meanings, becomes another space. I find myself Being-there in a way that transcends the digital as we understand it, experiencing space that reaches into the past and future, into memory and fiction. Indeed, wandering is liminal, betwixt fixed points, spaces, and times, and the text you are reading will wander in this fashion—between the digital and the physical, between memory and experience, and among multiple pasts and the present—to arrive at a multilayered subjective sense of space, a palimpsest of placemaking.Before charging fully into digital time travel, however, we must attend to the business of context. In this case, this means addressing why I am talking about videogame space in Certaudian terms. Beginning as early as 1995, videogame theorists have employed de Certeau’s notion of “spatial stories” in their assertions that games allow players to construct the game’s narrative by travelling through and “colonizing” the space (Fuller and Jenkins). Most of the scholarship involving de Certeau and videogames, however, has been relegated to the concepts of “map/tour” in looking at digital embodiment within game space as experiential representatives of the place/space binary. Maps verbalise spatial experience in place terms, such as “it’s at the corner of this and that street”, whereas tours express the same in terms of movement through space, as in “turn right at the red house”. Videogames complicate this because “mapping is combined with touring when moving through the game-space” (Lammes).In Games as Inhabited Spaces, Bernadette Flynn moves beyond the map/tour dichotomy to argue that spatial theories can approach videogaming in a way no other viewpoint can, because neither narrative nor mechanics of play can speak to the “space” of a game. Thus, Flynn’s work is “focused on completely reconceiving gameplay as fundamentally configured with spatial practice” (59) through de Certeau’s concepts of “strategic” and “tactical” spatial use. Flynn explains:The ability to forge personal directions from a closed simulation links to de Certeau’s notion of tactics, where users can create their own trajectories from the formal organizations of space. For de Certeau, tactics are related to how people individualise trajectories of movement to create meaning and transformations of space. Strategies on the other hand, are more akin to the game designer’s particular matrix of formal structures, arrangements of time and space which operate to control and constrain gameplay. (59)Flynn takes much of her reading of de Certeau from Lev Manovich, who argues that a game designer “uses strategies to impose a particular matrix of space, time, experience, and meaning on his viewers; they, in turn, use ‘tactics’ to create their own trajectories […] within this matrix” (267). Manovich believes de Certeau’s theories offer a salient model for thinking about “the ways in which computer users navigate through computer spaces they did not design” (267). In Flynn’s and Manovich’s estimation, simply moving through digital space is a tactic, a subversion of its strategic and linear design.The views of game space as tactical have historically (and paradoxically) treated the subject of videogames from a strategic perspective, as a configurable space to be “navigated through”, as a way of attaining a certain goal. Dan Golding takes up this problem, distancing our engagement from the design and calling for a de Certeaudian treatment of videogame space “from below”, where “the spatial diegesis of the videogame is affordance based and constituted by the skills of the player”, including those accrued outside the game space (Golding 118). Similarly, Darshana Jayemanne adds a temporal element with the idea that these spatial constructions are happening alongside a “complexity” and “proliferation of temporal schemes” (Jayemanne 1, 4; see also Nikolchina). Building from Golding and Jayemanne, I illustrate here a space wherein the player, not the game, is at the fulcrum of both spatial and temporal complexity, by adding the notion that—along with skill and experience—players bring space and time with them into the game.Viewed with the above understanding of strategies, tactics, skill, and temporality, the act of wandering in a videogame seems inherently subversive: on one hand, by undergoing a destination-less exploration of game space, I am rejecting the game’s spatial narrative trajectory; on the other, I am eschewing both skill accrual and temporal insistence to attempt a sense of pure Being-in-the-game. Such rebellious freedom, however, is part of the design of this particular game space. AC:R is a “sand box” game, which means it involves a large environment that can be traversed in a non-linear fashion, allowing, supposedly, for more freedom and exploration. Indeed, much of the gameplay involves slowly making more space available for investigation in an outward—rather than unidirectional—course. A player opens up these new spaces by “synchronising a viewpoint”, which can only be done by climbing to the top of specific landmarks. One of the fundamental elements of the AC franchise is an acrobatic, free-running, parkour style of engagement with a player’s surroundings, “where practitioners weave through urban environments, hopping over barricades, debris, and other obstacles” (Laviolette 242), climbing walls and traversing rooftops in a way unthinkable (and probably illegal) in our everyday lives. People scaling buildings in major metropolitan areas outside of videogame space tend to get arrested, if they survive the climb. Possibly, these renegade climbers are seeking what de Certeau describes as the “voluptuous pleasure […] of ‘seeing the whole,’ of looking down on, totalizing the most immoderate of human texts” (92)—what he experienced, looking down from the top of the World Trade Center in the late 1970s.***On digital ground level, back in 1759, I look up to the top of St. Paul’s bell tower and crave that pleasure, so I climb. As I make my way up, Non-Player Characters (NPCs)—the townspeople and trader avatars who make up the interactive human scenery of the game—shout things such as “You’ll hurt yourself” and “I say! What on earth is he doing?” This is the game’s way of convincing me that I am enacting agency and writing my own spatial story. I seem to be deploying “tricky and stubborn procedures that elude discipline without being outside the field in which it is exercised” (de Certeau 96), when I am actually following the program the way I am supposed to. If I were not meant to climb the tower, I simply would not be able to. The fact that game developers go to the extent of recording dialogue to shout at me when I do this proves that they expect my transgression. This is part of the game’s “semi-social system”: a collection of in-game social norms that—to an extent—reflect the cultural understandings of outside non-digital society (Atkinson and Willis). These norms are enforced through social pressures and expectations in the game such that “these relative imperatives and influences, appearing to present players with ‘unlimited’ choices, [frame] them within the parameters of synthetic worlds whose social structure and assumptions are distinctly skewed in particular ways” (408). By using these semi-social systems, games communicate to players that performing a particular act is seen as wrong or scandalous by the in-game society (and therefore subversive), even when the action is necessary for the continuation of the spatial story.When I reach the top of the bell tower, I am able to “synchronise the viewpoint”—that is, unlock the map of this area of the city. Previously, I did not have access to an overhead view of the area, but now that I have indulged in de Certeau’s pleasure of “seeing the whole”, I can see not only the tactical view from the street, but also the strategic bird’s-eye view from above. From the top, looking out over the city—now The City, a conceivable whole rather than a collection of streets—it is difficult to picture the neighbourhood engulfed in flames. The stair-step Dutch-inspired rooflines still recall the very recent change from New Amsterdam to New York, but in thirty years’ time, they will all be torched and rebuilt, replaced with colonial Tudor boxes. I imagine myself as an eighteenth-century de Certeau, surveying pre-ruination New York City. I wonder how his thoughts would have changed if his viewpoint were coloured with knowledge of the future. Standing atop the very symbol of global power and wealth—a duo-lith that would exist for less than three decades—would his pleasure have been less “voluptuous”? While de Certeau considers the viewer from above like Icarus, whose “elevation transfigures him into a voyeur” (92), I identify more with Daedalus, preoccupied with impending disaster. I swan-dive from the tower into a hay cart, returning to the bustle of the street below.As I wander amongst the people of digital 1759 New York, the game continuously makes phatic advances at me. I bump into others on the street and they drop boxes they are carrying, or stumble to the side. Partial overheard conversations going on between townspeople—“… what with all these new taxes …”, “… but we’ve got a fine regiment here …”—both underscore the historical context of the game and imply that this is a world that exists even when I am not there. These characters and their conversations are as much a part of the strategic makeup of the city as the buildings are. They are the text, not the writers nor the readers. I am the only writer of this text, but I am merely transcribing a pre-programmed narrative. So, I am not an author, but rather a stenographer. For this short moment, though, I am allowed by the game to believe that I am making the choice not to transcribe; there are missions to complete, and I am ignoring them. I am taking in the city, forgetting—just as the design intends—that I am the only one here, the only person in the entire world, indeed, the person for whom this world exists.While wandering, I also experience conflicts and mergers between what Maurice Halbwachs has called historical, autobiographical, and collective memory types: respectively, these are memories created according to historical record, through one’s own life experience, and by the way a society tends to culturally frame and recall “important” events. De Certeau describes a memorable place as a “palimpsest, [where] subjectivity is already linked to the absence that structures it as existence” (109). Wandering through AC:R’s virtual representation of 1759 downtown New York, I am experiencing this palimpsest in multiple layers, activating my Halbwachsian memories and influencing one another in the creation of my subjectivity. This is the “absence” de Certeau speaks of. My visions of Revolutionary New York ablaze tug at me from beneath a veneer of peaceful Dutch architecture: two warring historical memory constructs. Simultaneously, this old world is painted on top of my autobiographical memories as a New Yorker for thirteen years, loudly ordering corned beef with Russian dressing at the deli that will be on this corner. Somewhere sandwiched between these layers hides a portrait of September 11th, 2001, painted either by collective memory or autobiographical memory, or, more likely, a collage of both. A plane entering a building. Fire. Seen by my eyes, and then re-seen countless times through the same televised imagery that the rest of the world outside our small downtown village saw it. Which images are from media, and which from memory?Above, as if presiding over the scene, Michel de Certeau hangs in the air at the collision site, suspended a 1000 feet above the North Pool of the 9/11 Memorial, rapt in “voluptuous pleasure”. And below, amid the colonists in their tricorns and waistcoats, people in grey ash-covered suits—ambulatory statues; golems—slowly and silently march ever uptown-wards. Dutch and Tudor town homes stretch skyward and transform into art-deco and glass monoliths. These multiform strata, like so many superimposed transparent maps, ground me in the idea of New York, creating the “fragmentary and inward-turning histories” (de Certeau 108) that give place to my subjectivity, allowing me to Be-there—even though, technically, I am not.My conscious decision to ignore the game’s narrative and wander has made this moment possible. While I understand that this is entirely part of the intended gameplay, I also know that the design cannot possibly account for the particular way in which I experience the space. And this is the fundamental point I am asserting here: that—along with the strategies and temporal complexities of the design and the tactics and skills of those on the ground—we bring into digital space our own temporal and experiential constructions that allow us to Be-in-the-game in ways not anticipated by its strategic design. Non-digital virtuality—in the tangled forms of autobiographical, historic, and collective memory—reaches into digital space, transforming the experience. Further, this changed game-experience becomes a part of my autobiographical “prosthetic memory” that I carry with me (Landsberg). When I visit New York in the future, and I inevitably find myself abruptly met with the façade of St Paul’s Chapel as I round the corner of Church Street and Vesey, I will be brought back to this moment. Will I continue to wander, or will I—if just for a second—entertain the urge to climb?***After the recent near destruction by fire of Notre-Dame, a different game in the AC franchise was offered as a free download, because it is set in revolutionary Paris and includes a very detailed and interactive version of the cathedral. Perhaps right now, on sundry couches in various geographical locations, people are wandering there: strolling along the Siene, re-experiencing time they once spent there; overhearing tense conversations about regime change along the Champs-Élysées that sound disturbingly familiar; or scaling the bell tower of the Notre-Dame Cathedral itself—site of revolution, desecration, destruction, and future rebuilding—to reach the pleasure of seeing the strategic whole at the top. And maybe, while they are up there, they will glance south-southwest to the 15th arrondissem*nt, where de Certeau lies, enjoying some voluptuous Icarian viewpoint as-yet unimagined.ReferencesAtkinson, Rowland, and Paul Willis. “Transparent Cities: Re‐Shaping the Urban Experience through Interactive Video Game Simulation.” City 13.4 (2009): 403–417. DOI: 10.1080/13604810903298458.Benjamin, Walter. The Arcades Project. Trans. Howard Eiland and Kevin McLaughlin. Ed. Rolf Tiedmann. Cambridge, Mass.: Belknap Press, 2002. Coates, Jamie. “Key Figure of Mobility: The Flâneur.” Social Anthropology 25.1 (2017): 28–41. DOI: 10.1111/1469-8676.12381.De Certeau, Michel. The Practice of Everyday Life. Translated by Steven Rendall. Berkeley: University of California Press, 1984.Flynn, Bernadette. “Games as Inhabited Spaces.” Media International Australia, Incorporating Culture and Policy 110 (2004): 52–61. DOI: 10.1177/1329878X0411000108.Fuller, Mary, and Henry Jenkins. “‘Nintendo and New World Travel Writing: A Dialogue’ [in] CyberSociety: Computer-Mediated Communication and Community.” CyberSociety: Computer-Mediated Communication and Community. Ed. Steve Jones. Thousand Oaks: Sage, 1994. 57–72. <https://contentstore.cla.co.uk/secure/link?id=7dc700b8-cb87-e611-80c6-005056af4099>.Golding, Daniel. “Putting the Player Back in Their Place: Spatial Analysis from Below.” Journal of Gaming & Virtual Worlds 5.2 (2013): 117–30. DOI: 10.1386/jgvw.5.2.117_1.Halbwachs, Maurice. The Collective Memory. New York: Harper & Row, 1980.Haraway, Donna. Staying with the Trouble: Making Kin in the Chthulucene. Durham: Duke University Press Books, 2016.Heidegger, Martin. Existence and Being. Chicago: Henry Regnery Company, 1949.Jayemanne, Darshana. “Chronotypology: A Comparative Method for Analyzing Game Time.” Games and Culture (2019): 1–16. DOI: 10.1177/1555412019845593.Lammes, Sybille. “Playing the World: Computer Games, Cartography and Spatial Stories.” Aether: The Journal of Media Geography 3 (2008): 84–96. DOI: 10.1080/10402659908426297.Landsberg, Alison. Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York: Columbia University Press, 2004.Laviolette, Patrick. “The Neo-Flâneur amongst Irresistible Decay.” Playgrounds and Battlefields: Critical Perspectives of Social Engagement. Eds. Martínez Jüristo and Klemen Slabina. Tallinn: Tallinn University Press, 2014. 243–71.Manovich, Lev. The Language of New Media. Cambridge, Massachusetts: MIT Press, 2002.Nikolchina, Miglena. “Time in Video Games: Repetitions of the New.” Differences 28.3 (2017): 19–43. DOI: 10.1215/10407391-4260519.Rabinow, Paul, and Michel Foucault. “Interview with Michel Foucault on Space, Knowledge and Power.” Skyline (March 1982): 17–20.

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Abstract:

The general who wins a battle makes many calculations in his temple ere the battle is fought. — Sun TzuWorld War II saw a proliferation of maps. From command posts to the pages of National Geographic to the pages of daily newspapers, they were everywhere (Schulten). The era also saw substantive developments in cartography, especially with respect to the topographical maps that feature in our selected films. This essay offers a preliminary examination of the battle-map as depicted in two films about the Second World War: Franklin J. Shaffner’s biopic Patton (1970) and Jack Smight’s epic Midway (1976). In these films, maps, charts, or tableaux (the three-dimensional models upon which are plotted the movements of battalions, fleets, and so on) emerge as an expression of both martial and cinematic strategy. As a rear-view representation of the relative movements of personnel and materiel in particular battle arenas, the map and its accessories (pins, tape, markers, and so forth) trace the broad military dispositions of Patton’s 2nd Corp (Africa), Seventh Army (Italy) and Third Army (Western Europe) and the relative position of American and Japanese fleets in the Pacific. In both Patton and Midway, the map also emerges as a simple mode of narrative plotting: as the various encounters in the two texts play out, the battle-map more or less contemporaneously traces the progress of forces. It also serves as a foreshadowing device, not just narratively, but cinematically: that which is plotted in advance comes to pass (even if as preliminary movements before catastrophe), but the audience is also cued for the cinematic chaos and disjuncture that almost inevitably ensues in the battle scenes proper.On one hand, then, this essay proposes that at the fundamental level of fabula (seen through either the lens of historical hindsight or through the eyes of the novice who knows nothing of World War II), the annotated map is engaged both strategically and cinematically: as a stage upon which commanders attempt to act out (either in anticipation, or retrospectively) the intricate, but grotesque, ballet of warfare — and as a reflection of the broad, sequential, sweeps of conflict. While, in War and Cinema, Paul Virilio offers the phrase ‘the logistics of perception’ (1), in this this essay we, on the other hand, consider that, for those in command, the battle-map is a representation of the perception of logistics: the big picture of war finds rough indexical representation on a map, but (as Clausewitz tells us) chance, the creative agency of individual commanders, and the fog of battle make it far less probable (than is the case in more specific mappings, such as, say, the wedding rehearsal) that what is planned will play out with any degree of close correspondence (On War 19, 21, 77-81). Such mapping is, of course, further problematised by the processes of abstraction themselves: indexicality is necessarily a reduction; a de-realisation or déterritorialisation. ‘For the military commander,’ writes Virilio, ‘every dimension is unstable and presents itself in isolation from its original context’ (War and Cinema 32). Yet rehearsal (on maps, charts, or tableaux) is a keying activity that seeks to presage particular real world patterns (Goffman 45). As suggested above, far from being a rhizomatic activity, the heavily plotted (as opposed to thematic) business of mapping is always out of joint: either a practice of imperfect anticipation or an equally imperfect (pared back and behind-the-times) rendition of activity in the field. As is argued by Tolstoj in War and Peace, the map then presents to the responder a series of tensions and ironies often lost on the masters of conflict themselves. War, as Tostoj proposes, is a stochastic phenomenon while the map is a relatively static, and naive, attempt to impose order upon it. Tolstoj, then, pillories Phull (in the novel, Pfuhl), the aptly-named Prussian general whose lock-stepped obedience to the science of war (of which the map is part) results in the abject humiliation of 1806:Pfuhl was one of those theoreticians who are so fond of their theory that they lose sight of the object of that theory - its application in practice. (Vol. 2, Part 1, Ch. 10, 53)In both Patton and Midway, then, the map unfolds not only as an epistemological tool (read, ‘battle plan’) or reflection (read, the near contemporaneous plotting of real world affray) of the war narrative, but as a device of foreshadowing and as an allegory of command and its profound limitations. So, in Deleuzian terms, while emerging as an image of both time and perception, for commanders and filmgoers alike, the map is also something of a seduction: a ‘crystal-image’ situated in the interstices between the virtual and the actual (Deleuze 95). To put it another way, in our films the map emerges as an isomorphism: a studied plotting in which inheres a counter-text (Goffman 26). As a simple device of narrative, and in the conventional terms of latitude and longitude, in both Patton and Midway, the map, chart, or tableau facilitate the plotting of the resources of war in relation to relief (including island land masses), roads, railways, settlements, rivers, and seas. On this syntagmatic plane, in Greimasian terms, the map is likewise received as a canonical sign of command: where there are maps, there are, after all, commanders (Culler 13). On the other hand, as suggested above, the battle-map (hereafter, we use the term to signify the conventional paper map, the maritime chart, or tableau) materialises as a sanitised image of the unknown and the grotesque: as apodictic object that reduces complexity and that incidentally banishes horror and affect. Thus, the map evolves, in the viewer’s perception, as an ironic sign of all that may not be commanded. This is because, as an emblem of the rational order, in Patton and Midway the map belies the ubiquity of battle’s friction: that defined by Clausewitz as ‘the only concept which...distinguishes real war from war on paper’ (73). ‘Friction’ writes Clausewitz, ‘makes that which appears easy in War difficult in reality’ (81).Our work here cannot ignore or side-step the work of others in identifying the core cycles, characteristics of the war film genre. Jeanine Basinger, for instance, offers nothing less than an annotated checklist of sixteen key characteristics for the World War II combat film. Beyond this taxonomy, though, Basinger identifies the crucial role this sub-type of film plays in the corpus of war cinema more broadly. The World War II combat film’s ‘position in the evolutionary process is established, as well as its overall relationship to history and reality. It demonstrates how a primary set of concepts solidifies into a story – and how they can be interpreted for a changing ideology’ (78). Stuart Bender builds on Basinger’s taxonomy and discussion of narrative tropes with a substantial quantitative analysis of the very building blocks of battle sequences. This is due to Bender’s contention that ‘when a critic’s focus [is] on the narrative or ideological components of a combat film [this may] lead them to make assumptions about the style which are untenable’ (8). We seek with this research to add to a rich and detailed body of knowledge by redressing a surprising omission therein: a conscious and focussed analysis of the use of battle-maps in war cinema. In Patton and in Midway — as in War and Peace — the map emerges as an emblem of an intergeneric dialogue: as a simple storytelling device and as a paradigmatic engine of understanding. To put it another way, as viewer-responders with a synoptic perspective we perceive what might be considered a ‘double exposure’: in the map we see what is obviously before us (the collision of represented forces), but an Archimedean positioning facilitates the production of far more revelatory textual isotopies along what Roman Jakobson calls the ‘axis of combination’ (Linguistics and Poetics 358). Here, otherwise unconnected signs (in our case various manifestations and configurations of the battle-map) are brought together in relation to particular settings, situations, and figures. Through this palimpsest of perspective, a crucial binary emerges: via the battle-map we see ‘command’ and the sequence of engagement — and, through Greimasian processes of axiological combination (belonging more to syuzhet than fabula), elucidated for us are the wrenching ironies of warfare (Culler 228). Thus, through the profound and bound motif of the map (Tomashevsky 69), are we empowered to pass judgement on the map bearers who, in both films, present as the larger-than-life heroes of old. Figure 1.While we have scope only to deal with the African theatre, Patton opens with a dramatic wide-shot of the American flag: a ‘map’, if you will, of a national history forged in war (Fig. 1). Against this potent sign of American hegemony, as he slowly climbs up to the stage before it, the general appears a diminutive figure -- until, via a series of matched cuts that culminate in extreme close-ups, he manifests as a giant about to play his part in a great American story (Fig. 2).Figure 2.Some nineteen minutes into a film, having surveyed the carnage of Kasserine Pass (in which, in February 1943, the Germans inflicted a humiliating defeat on the Americans) General Omar Bradley is reunited with his old friend and newly-nominated three-star general, George S. Patton Jr.. Against a backdrop of an indistinct topographical map (that nonetheless appears to show the front line) and the American flag that together denote the men’s authority, the two discuss the Kasserine catastrophe. Bradley’s response to Patton’s question ‘What happened at Kasserine?’ clearly illustrates the tension between strategy and real-world engagement. While the battle-plan was solid, the Americans were outgunned, their tanks were outclassed, and (most importantly) their troops were out-disciplined. Patton’s concludes that Rommel can only be beaten if the American soldiers are fearless and fight as a cohesive unit. Now that he is in command of the American 2nd Corp, the tide of American martial fortune is about to turn.The next time Patton appears in relation to the map is around half an hour into the two-and-three-quarter-hour feature. Here, in the American HQ, the map once more appears as a simple, canonical sign of command. Somewhat carelessly, the map of Europe seems to show post-1945 national divisions and so is ostensibly offered as a straightforward prop. In terms of martial specifics, screenplay writer Francis Ford Coppola apparently did not envisage much close scrutiny of the film’s maps. Highlighted, instead, are the tensions between strategy as a general principle and action on the ground. As British General Sir Arthur Coningham waxes lyrical about allied air supremacy, a German bomber drops its payload on the HQ, causing the map of Europe to (emblematically) collapse forward into the room. Following a few passes by the attacking aircraft, the film then cuts to a one second medium shot as a hail of bullets from a Heinkel He 111 strike a North African battle map (Fig. 3). Still prone, Patton remarks: ‘You were discussing air supremacy, Sir Arthur.’ Dramatising a scene that did take place (although Coningham was not present), Schaffner’s intention is to allow Patton to shoot holes in the British strategy (of which he is contemptuous) but a broader objective is the director’s exposé of the more general disjuncture between strategy and action. As the film progresses, and the battle-map’s allegorical significance is increasingly foregrounded, this critique becomes definitively sharper.Figure 3.Immediately following a scene in which an introspective Patton walks through a cemetery in which are interred the remains of those killed at Kasserine, to further the critique of Allied strategy the camera cuts to Berlin’s high command and a high-tech ensemble of tableaux, projected maps, and walls featuring lights, counters, and clocks. Tasked to research the newly appointed Patton, Captain Steiger walks through the bunker HQ with Hitler’s Chief of Staff, General Jodl, to meet with Rommel — who, suffering nasal diphtheria, is away from the African theatre. In a memorable exchange, Steiger reveals that Patton permanently attacks and never retreats. Rommel, who, following his easy victory at Kasserine, is on the verge of total tactical victory, in turn declares that he will ‘attack and annihilate’ Patton — before the poet-warrior does the same to him. As Clausewitz has argued, and as Schaffner is at pains to point out, it seems that, in part, the outcome of warfare has more to do with the individual consciousness of competing warriors than it does with even the most exquisite of battle-plans.Figure 4.So, even this early in the film’s runtime, as viewer-responders we start to reassess various manifestations of the battle-map. To put it as Michelle Langford does in her assessment of Schroeter’s cinema, ‘fragments of the familiar world [in our case, battle-maps] … become radically unfamiliar’ (Allegorical Images 57). Among the revelations is that from the flag (in the context of close battle, all sense of ‘the national’ dissolves), to the wall map, to the most detailed of tableau, the battle-plan is enveloped in the fog of war: thus, the extended deeply-focussed scenes of the Battle of El Guettar take us from strategic overview (Patton’s field glass perspectives over what will soon become a Valley of Death) to what Boris Eichenbaum has called ‘Stendhalian’ scale (The Young Tolstoi 105) in which, (in Patton) through more closely situated perspectives, we almost palpably experience the Germans’ disarray under heavy fire. As the camera pivots between the general and the particular (and between the omniscient and the nescient) the cinematographer highlights the tension between the strategic and the actual. Inasmuch as it works out (and, as Schaffner shows us, it never works out completely as planned) this is the outcome of modern martial strategy: chaos and unimaginable carnage on the ground that no cartographic representation might capture. As Patton observes the destruction unfold in the valley below and before him, he declares: ‘Hell of a waste of fine infantry.’ Figure 5.An important inclusion, then, is that following the protracted El Guettar battle scenes, Schaffner has the (symbolically flag-draped) casket of Patton’s aide, Captain Richard N. “Dick” Jenson, wheeled away on a horse-drawn cart — with the lonely figure of the mourning general marching behind, his ironic interior monologue audible to the audience: ‘I can't see the reason such fine young men get killed. There are so many battles yet to fight.’ Finally, in terms of this brief and partial assessment of the battle-map in Patton, less than an hour in, we may observe that the map is emerging as something far more than a casual prop; as something more than a plotting of battlelines; as something more than an emblem of command. Along a new and unexpected axis of semantic combination, it is now manifesting as a sign of that which cannot be represented nor commanded.Midway presents the lead-up to the eponymous naval battle of 1942. Smight’s work is of interest primarily because the battle itself plays a relatively small role in the film; what is most important is the prolonged strategising that comprises most of the film’s run time. In Midway, battle-tables and fleet markers become key players in the cinematic action, second almost to the commanders themselves. Two key sequences are discussed here: the moment in which Yamamoto outlines his strategy for the attack on Midway (by way of a decoy attack on the Aleutian Islands), and the scene some moments later where Admiral Nimitz and his assembled fleet commanders (Spruance, Blake, and company) survey their own plan to defend the atoll. In Midway, as is represented by the notion of a fleet-in-being, the oceanic battlefield is presented as a speculative plane on which commanders can test ideas. Here, a fleet in a certain position projects a radius of influence that will deter an enemy fleet from attacking: i.e. ‘a fleet which is able and willing to attack an enemy proposing a descent upon territory which that force has it in charge to protect’ (Colomb viii). The fleet-in-being, it is worth noting, is one that never leaves port and, while it is certainly true that the latter half of Midway is concerned with the execution of strategy, the first half is a prolonged cinematic game of chess, with neither player wanting to move lest the other has thought three moves ahead. Virilio opines that the fleet-in-being is ‘a new idea of violence that no longer comes from direct confrontation and bloodshed, but rather from the unequal properties of bodies, evaluation of the number of movements allowed them in a chosen element, permanent verification of their dynamic efficiency’ (Speed and Politics 62). Here, as in Patton, we begin to read the map as a sign of the subjective as well as the objective. This ‘game of chess’ (or, if you prefer, ‘Battleships’) is presented cinematically through the interaction of command teams with their battle-tables and fleet markers. To be sure, this is to show strategy being developed — but it is also to prepare viewers for the defamiliarised representation of the battle itself.The first sequence opens with a close-up of Admiral Yamamoto declaring: ‘This is how I expect the battle to develop.’ The plan to decoy the Americans with an attack on the Aleutians is shown via close-ups of the conveniently-labelled ‘Northern Force’ (Fig. 6). It is then explained that, twenty-four hours later, a second force will break off and strike south, on the Midway atoll. There is a cut from closeups of the pointer on the map to the wider shot of the Japanese commanders around their battle table (Fig. 7). Interestingly, apart from the opening of the film in the Japanese garden, and the later parts of the film in the operations room, the Japanese commanders are only ever shown in this battle-table area. This canonically positions the Japanese as pure strategists, little concerned with the enmeshing of war with political or social considerations. The sequence ends with Commander Yasimasa showing a photograph of Vice Admiral Halsey, who the Japanese mistakenly believe will be leading the carrier fleet. Despite some bickering among the commanders earlier in the film, this sequence shows the absolute confidence of the Japanese strategists in their plan. The shots are suitably languorous — averaging three to four seconds between cuts — and the body language of the commanders shows a calm determination. The battle-map here is presented as an index of perfect command and inevitable victory: each part of the plan is presented with narration suggesting the Japanese expect to encounter little resistance. While Yasimasa and his clique are confident, the other commanders suggest a reconnaissance flight over Pearl Harbor to ascertain the position of the American fleet; the fear of fleet-in-being is shown here firsthand and on the map, where the reconnaissance planes are placed alongside the ship markers. The battle-map is never shown in full: only sections of the naval landscape are presented. We suggest that this is done in order to prepare the audience for the later stages of the film: as in Patton (from time to time) the battle-map here is filmed abstractly, to prime the audience for the abstract montage of the battle itself in the film’s second half.Figure 6.Figure 7.Having established in the intervening running time that Halsey is out of action, his replacement, Rear Admiral Spruance, is introduced to the rest of the command team. As with all the important American command and strategy meetings in the film, this is done in the operations room. A transparent coordinates board is shown in the foreground as Nimitz, Spruance and Rear Admiral Fletcher move through to the battle table. Behind the men, as they lean over the table, is an enormous map of the world (Fig. 8). In this sequence, Nimitz freely admits that while he knows each Japanese battle group’s origin and heading, he is unsure of their target. He asks Spruance for his advice:‘Ray, assuming what you see here isn’t just an elaborate ruse — Washington thinks it is, but assuming they’re wrong — what kind of move do you suggest?’This querying is followed by Spruance glancing to a particular point on the map (Fig. 9), then a cut to a shot of models representing the aircraft carriers Hornet, Enterprise & Yorktown (Fig. 10). This is one of the few model/map shots unaccompanied by dialogue or exposition. In effect, this shot shows Spruance’s thought process before he responds: strategic thought presented via cinematography. Spruance then suggests situating the American carrier group just northeast of Midway, in case the Japanese target is actually the West Coast of the United States. It is, in effect, a hedging of bets. Spruance’s positioning of the carrier group also projects that group’s sphere of influence around Midway atoll and north to essentially cut off Japanese access to the US. The fleet-in-being is presented graphically — on the map — in order to, once again, cue the audience to match the later (edited) images of the battle to these strategic musings.In summary, in Midway, the map is an element of production design that works alongside cinematography, editing, and performance to present the notion of strategic thought to the audience. In addition, and crucially, it functions as an abstraction of strategy that prepares the audience for the cinematic disorientation that will occur through montage as the actual battle rages later in the film. Figure 8.Figure 9.Figure 10.This essay has argued that the battle-map is a simulacrum of the weakest kind: what Baudrillard would call ‘simulacra of simulation, founded on information, the model’ (121). Just as cinema itself offers a distorted view of history (the war film, in particular, tends to hagiography), the battle-map is an over-simplification that fails to capture the physical and psychological realities of conflict. We have also argued that in both Patton and Midway, the map is not a ‘free’ motif (Tomashevsky 69). Rather, it is bound: a central thematic device. In the two films, the battle-map emerges as a crucial isomorphic element. On the one hand, it features as a prop to signify command and to relay otherwise complex strategic plottings. At this syntagmatic level, it functions alongside cinematography, editing, and performance to give audiences a glimpse into how military strategy is formed and tested: a traditional ‘reading’ of the map. But on the flip side of what emerges as a classic structuralist binary, is the map as a device of foreshadowing (especially in Midway) and as a depiction of command’s profound limitations. Here, at a paradigmatic level, along a new axis of combination, a new reading of the map in war cinema is proposed: the battle-map is as much a sign of the subjective as it is the objective.ReferencesBasinger, Jeanine. The World War II Combat Film: Anatomy of a Genre. Middletown, CT: Columbia UP, 1986.Baudrillard, Jean. Simulacra and Simulation. Ann Arbour: U of Michigan Press, 1994.Bender, Stuart. Film Style and the World War II Combat Genre. Newcastle upon Tyne: Cambridge Scholars Publishing, 2013.Clausewitz, Carl. On War. Vol. 1. London: Kegan Paul, 1908.Colomb, Philip Howard. Naval Warfare: Its Ruling Principles and Practice Historically Treated. 3rd ed. London: W.H. Allen & Co, 1899.Culler, Jonathan. Structuralist Poetics. London: Routledge & Kegan Paul, 1975.Deleuze, Gilles. Cinema 2: The Time-Image. London: Continuum, 2005.Eichenbaum, Boris. The Young Tolstoi. Ann Arbor: Ardis, 1972.Goffman, Erving. Frame Analysis. Cambridge, MA: Harvard UP, 1976.Jakobson, Roman. "Linguistics and Poetics." Style in Language. Ed. T. Sebebeok. Cambridge, MA: MIT, 1960. 350—77.Langford, Michelle. Allegorical Images: Tableau, Time and Gesture in the Cinema of Werner Schroeter. Bristol: Intellect, 2006.Midway. Jack Smight. Universal Pictures, 1976. Film.Patton. Franklin J. Schaffner. 20th Century Fox, 1970. Film.Schulten, Susan. World War II Led to a Revolution in Cartography. New Republic 21 May 2014. 16 June 2017 <https://newrepublic.com/article/117835/richard-edes-harrison-reinvented-mapmaking-world-war-2-americans>.Tolstoy, Leo. War and Peace. Vol. 2. London: Folio, 1997.Tomashevsky, Boris. "Thematics." Russian Formalist Criticism: Four Essays. Eds. L. Lemon and M. Reis, Lincoln: U. Nebraska Press, 2012. 61—95.Tzu, Sun. The Art of War. San Diego: Canterbury Classics, 2014.Virilio, Paul. Speed and Politics. Paris: Semiotext(e), 2006.Virilio, Paul. War and Cinema: The Logistics of Perception. London: Verso, 1989.

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Abstract Objective. This work sought to determine the effectiveness of an aerobic exercise program on the occupational stress of nurses.Methods. Prevention-type controlled clinical trial carried out with the participation of 60 nurses working in hospitals affiliated to Shahrekord University of Medical Sciences in Iran. Randomly, the nurses were assigned to the experimental group or to the control group. The intervention consisted in an aerobic exercise program lasting three months with three weekly sessions one hour each. The Health and Safety Executive (HSE) questionnaire measured occupational stress with 35 questions, each with five Likert-type response options, which can have a maximum score of 175 points; higher scores meant lower levels of occupational stress. The HSE was evaluated during three moments: upon registering, after finishing the exercise program (week 8), and two months after terminating the intervention (week 16).Results. The level of occupational stress was the same in the experimental and control groups during registration (86.2 vs. 86.3). Upon finishing the aerobic exercise program (week 8), the experimental group showed a higher score than the control group (119.7 vs. 86.2, p<0.01), with this score diminishing after two months of having ended the intervention (91.4 vs. 85.8, p=0.061).Conclusion. The aerobic exercise program was associated to decreased work stress of nurses in the experimental group compared to the control group at eight weeks, but this difference did not persist when the experimental group did not continue with the program.Descriptors: control groups; physical exertion; occupational stress; nurses; female.How to cite this article: Zinat Mohebbi Z, Dehkordi SF, Sharif S, Banitalebi E. The Effect of Aerobic Exercise on Occupational Stress of Female Nurses: A Controlled Clinical Trial. Invest. Educ. Enferm. 2019; 37(2):e05.ReferencesRice PL. Stress and health. Brooks/Cole Publishing Company. 3rd Ed. 1998. Mashhadi HA, Arizi HR. A comparsion of job motivation trends among teachers of handicaped and public schools. Amuzeh. 2011; 6(3):18-32. Sarafis P, Rousaki E, Tsounis A, Malliarou M, Lahana L, Bamidis P, et al. The impact of occupational stress on nurses' caring behaviors and their health related quality of life. BMC Nurs. 2016; 15:56. Bhui K, Dinos S, Galant-Miecznikowska M, de Jongh B, Stansfeld S. Perceptions of work stress causes and effective interventions in employees working in public, private and non-governmental organisations: a qualitative study. BJPsych. Bull. 2016; 40(6):318-25. Lo MC, Thurasamy R, Liew WT. Relationship between bases of power and job stresses: role of mentoring. Springerplus. 2014; 3:432. Trifunovic N, Jatic Z, Kulenovic AD. Identification of Causes of the Occupational Stress for Health Providers at Different Levels of Health Care. Med Arch. 2017; 71(3):169-72. Montano D, Hoven H, Siegrist J. Effects of organisational-level interventions at work on employees’ health: a systematic review. BMC Public Health. 2014: 14(1):135. Van den Oetelaar WF, van Stel HF, van Rhenen W, Stellato RK, Grolman W. Balancing nurses' workload in hospital wards: study protocol of developing a method to manage workload. BMJ Open. 2016;6(11):e012148. Roberts RK, Grubb PL. The consequences of nursing stress and need for integrated solutions. Rehabil. Nurs. 2013; 39(2):62-9. Sharma P, Davey A, Davey S, Shukla A, Shrivastava K, Bansal R. Occupational stress among staff nurses: Controlling the risk to health. Indian J. Occup. Environ. Med. 2014; 18(2):52-6. Nabirye RC, Brown KC, Pryor ER, Maples EH. Occupational stress, job satisfaction and job performance among hospital nurses in Kampala, Uganda. J. Nurs. Manag. 2014; 19(6):760- 8. Isfahani S, Hosseini M, Khoshknab H, Peyrovi, Khanke R. What Really Motivates Iranian Nurses to Be Creative in Clinical Settings?: A Qualitative Study. Glob. J. Health Sci. 2015; 7(5): 132-58. Taghavi Larijani T, Ramezani F, Khatoni A, Monjamed Z. Comparison of the sources of stress among the senior Nursing and Midwifery Students of Tehran Medical Sciences Universities. Hayat. 2007; 13(2):61-70. Brunner L, Suddarth D. CanadianTextbook of medical surgical nursing. 14th Ed. Lippincott Williams & Wilkins; 2017. Rees R, J Kavanagh J, Harden A, Shepherd J, Brunton G, Oliver S, Oakley A. Young people and physical activity: a systematic review matching their views to effective interventions. Health Educ. Res. 2006; 21(6):806–25. Mogharnasi M, Koushan M, Golestaneh F, Seyedahmadi M, Keavanlou F. The Effect of Aerobic Training on the Mental Health of Addict Women. J. Sabzevar Univ. Med. Sci. 2011; 18(2):7-91. Guszkowska M. Effect of exercise on anxiety, depression and mood. Psychiatr. Pol. 2004; 38(4):611-20. [Polish] Min JA, Lee CU, Lee C. Mental health promotion and illness prevention: a challenge for psychiatrists. Psychiatry Investig. 2013;10(4):307-16. Dehghani H, Farmanbar R, Pakseresht S, Kazem Nezhad Leili E. Effect of regular exercise on methods of problem centered stress coping mechanism. J. Holist. Nurs. Midwifery. 2012; 22(2):33-9. Boyce RW, Ciulla S, Jones GR, Boone EL, Elliott SM, Combs CS. Muscular Strength and Body Composition Comparison Between the Charlotte-Mecklenburg Fire and Police Departments. Int. J. Exerc. Sci. 2008; 1(3):125-35. Marzabadi A, Gholami FM . Reliability and Validity Assessment for the HSE Job Stress Questionnaire. J. Behav. Sci. 2011; 4(4):291-97. Cooke M, Holzhauser K, Jones M, Davis C, Finucane J. The effect of aromatherapy massage with music on the stress and anxiety levels of emergency nurses: comparison between summer and winter. J. Clin. Nurs. 2007; 16(9):1695-703. Somero GN. The physiology of global change: linking patterns to mechanisms. Ann. Rev. Mar Sci. 2012; 4: 39–61. Abedian Z, Safaei M. The effect of performance exercise on stress in midwives: A clinical trial. Iran. J. Obstet. Gynaecol. Infertil. 2014; 17(96): 14-20. Ayatinasab K, Esmaeilzadeh M, Sangsefidi S, The effect of aerobic and yoga exercise on Self-efficacy of female staff of Sabzevar University of Medical Sciences in 2013. J Sabzevar Univ. Med. Scie. 2014; 20(5):590-6.

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Introduction Presidents “define who Americans are—often by declaring who they aren’t”, and “by their very utterances […] have shaped our sense of who we are as Americans” (Stuckey, front cover). This advocacy of some groups and policies to the exclusion of others has been facilitated in the United States’ political culture by the country music industry. Indeed, President Richard Nixon said of country music that it “radiates a love of this nation—a patriotism,” adding that it “makes America a better country” (Bufwack and Oermann 328). Country music’s ardent support of American military conflict, including Vietnam, has led to its long-term support of Republican candidates. There has been a general lack of scholarly interest, however, in how country music has promoted Republican definitions of what it means to be an American. Accordingly, we have two primary objectives. First, we will demonstrate that Republicans, aided by country music, have used the theme of defence of “country,” especially post-9/11, to attempt to intimidate detractors. Secondly, Republicans have questioned the love of “country,” or “patriotism,” of their electoral opponents just as country musicians have attempted to silence their own critics. This research is timely in that little has been done to merge Presidential advocacy and country music; furthermore, with the election of a new President mere days away, it is important to highlight the tendencies toward intolerance that both conservatism and country music have historically shared. Defence of ‘Country’ After the 9/11 attacks, President George W. Bush addressed the nation before a Joint Session of Congress on 20 September 2001. During this speech, the president threatened the international community and raised the spectre of fear in Americans both while drawing distinctions between the United States and its enemies. This message was reflected and reinforced by several patriotic anthems composed by country artists, thus enhancing its effect. In his remarks before Congress, Bush challenged the international community: “Either you are with us, or you are with the terrorists;” thus “advocating some groups to the exclusion of others” on the international stage (20 September 2001). With these words, the President expanded the definition of the United States’ enemies to include not only those responsible for the 9/11 attacks, but also anyone who refused to support him. Republican Senator John McCain’s hawkishness regarding the attacks mirrored the President’s. “There is a system out there or network, and that network is going to have to be attacked,” McCain said the next morning on ABC (American Broadcasting Company) News. Within a month he made clear his priority: “Very obviously Iraq is the first country,” he declared on CNN. Later he yelled to a crowd of sailors and airmen: “Next up, Baghdad!” (http://www.iht.com/articles/2008/08/17/america/mccain.php). Bush’s address also encouraged Americans at home to “be calm and resolute, even in the face of a continuing threat” (20 September 2001). The subtle “us vs. them” tension here is between citizens and those who would threaten them. Bush added that “freedom and fear” had always “been at war” and “God is not neutral between them” (20 September 2001) suggesting a dualism between God and Satan with God clearly supporting the cause of the United States. Craig Allen Smith’s research refers to this as Bush’s “angel/devil jeremiad.” The President’s emphasis on fear, specifically the fear that the American way of life was being assailed, translated into public policy including the creation of the Department of Homeland Security and the Patriot Act. This strategic nomenclature strengthened the power of the federal government and has been used by Republicans to suggest that if a candidate or citizen is not a terrorist then what does he/she have to fear from the government? The impact of Bush’s rhetoric of fear has of late been evaluated by scholars who have termed it “melodrama” in international affairs (Anker; Sampert and Treiberg). To disseminate his message for Americans to support his defence of “country,” Bush needed look no further than country music. David Firestein, a State Department diplomat and published authority on country music, asserted that the Bush team “recognised the power of country music as a political communication device” (86). The administration’s appeal to country music is linked to what Firestein called the “honky-tonk gap” which delineates red states and blue states. In an analysis of census data, Radio-Locator’s comprehensive listing by state of country music radio stations, and the official 2004 election results, he concluded that If you were to overlay a map of the current country music fan base onto the iconic red-and-blue map of the United States, you would find that its contours coincide virtually identically with those of the red state region. (84) And country musicians were indeed powerful in communicating the Republican message after 9/11. Several country musicians tapped into Bush’s defence of country rhetoric with a spate of songs including Alan Jackson’s Where Were You? (When the World Stopped Turning), Toby Keith’s Courtesy of the Red, White, and Blue (the Angry American), and Darryl Worley’s Have You Forgotten? to name a few. Note how well the music parallels Bush’s attempt to define Americans. For instance, one of the lines from Keith’s Courtesy of the Red, White, and Blue (the Angry American) speaks of those who have given their lives so that other Americans may rest peacefully. This sentiment is reiterated by the theme of Worley’s Have You Forgotten? in which he talks of spending time with soldiers who have no doubts about why they are at war. Both songs implicitly indict the listener for betraying United States soldiers if his/her support for the Iraqi war wanes or, put in Bush terms, the listener would become a supporter of “terrorism.” Country music’s appeal to middle-America’s red state conservatism has made the genre a natural vehicle for supporting the defence of country. Indeed, country songs have been written about every war in United States history; most expressing support for the conflict and the troops as opposed to protesting the United States’ action: “Since the Civil War and Reconstruction, ‘Dixie’ has always been the bellwether of patriotic fervour in time of war and even as the situation in Vietnam reached its lowest point and support for the war began to fade, the South and its distinctive music remained solidly supportive” (Andresen 105). Historically, country music has a long tradition of attempting to “define who Americans were by defining who they weren’t” (Stuckey). As Bufwack and Oermann note within country music “images of a reactionary South were not hard to find.” They add “Dixie fertilized ‘three r’s’ – the right, racism, and religion” (328). Country musicians supported the United States’ failed intervention in Vietnam with such songs as It’s for God and Country and You Mom (That’s Why I’m Fighting In Vietnam), and even justified the American massacre of noncombatants at My Lai in the Battle Hymn of Lt. Calley (328). Thus, a right-wing response to the current military involvement in Iraq was not unexpected from the industry and the honky-tonk state listeners. During the current election, Republican presidential nominee McCain has also received a boost from the country music genre as John Rich, of Big and Rich, wrote Raising McCain, a musical tribute to McCain’s military service used as his campaign theme song. The song, debuted at a campaign rally on 1 August 2008, in Florida, mentions McCain’s ‘Prisoner of War’ status to keep the focus on the war and challenge those who would question it. Scholars have researched the demographics of the country music listener as they have evaluated the massification theory: the notion that the availability of a widespread media culture would break down social and cultural barriers and result in a “hom*ogenised” society as opposed to the results of government-controlled media in non-democratic countries (Peterson and DiMaggio). They have determined that the massification theory has only been partially demonstrated in that regional and class barriers have eroded to some extent but country music listeners are still predominately white and older (Peterson and DiMaggio 504). These individuals do tend to be more conservative within the United States’ political culture, and militarism has a long history within both country music and conservatism. If the bad news of the massification theory is that a mass media market may not perpetuate a hom*ogenous society, there is good news. The more onerous fears that the government will work in tandem with the media to control the people in a democracy seem not to have been borne out over time. Although President Bush’s fear tactics were met with obsequious silence initially, resistance to the unquestioning support of the war has steadily grown. In 2003, a worldwide rally opposed the invasion of Iraq because it was a sovereign state and because the Bush doctrine lacked United Nations’ support. Further opposition in the United States included rallies and concerts as well as the powerful display in major cities across the nation of pairs of combat boots representing fallen soldiers (Olson). Bush’s popularity has dropped precipitously, with his disapproval ratings higher than any President in history at 71% (Steinhauser). While the current economic woes have certainly been a factor, the campaigns of Barack Obama and John McCain can also be viewed as a referendum on the Bush war. The American resistance to the Bush rhetoric and the Iraq war is all the more significant in light of research indicating that citizens incorrectly believe that the opposition to the Vietnam War was typified by protests against the troops rather than the war itself (Beamish). This false notion has empowered the Republicans and country musicians to challenge the patriotism of anyone who would subsequently oppose the military involvement of the United States, and it is to this topic of patriotism that we now turn. Patriotism Patriotism can be an effective way for presidential candidates to connect with voters (Sullivan et al). It has been a particularly salient issue since the 9/11 attacks and the wars in Iraq and Afghanistan. Ironically, George W. Bush, a man whose limited military service had been the subject of debate in 2000, was able to employ the persistent patriotic themes of country music to his electoral advantage. In fact, Firestein argued that country music radio had a greater effect on the 2004 election than any ads run by issue groups because it “inculcated and reinforced conservative values in the red state electorate, helped frame the issues of the day on terms favourable to the conservative position on those issues, and primed red state voters to respond positively to President Bush’s basic campaign message of family, country, and God” (Firestein 83). Bush even employed Only in America, a patriotic anthem performed by Brooks and Dunn, as a campaign theme song, because the war and patriotism played such a prominent role in the election. That the Bush re-election campaign successfully cast doubt on the patriotism of three-time Purple Heart winner, Democratic Senator John Kerry, during the campaign is evidence of Firestein’s assertion. The criticism was based on a book: Unfit for Command: Swift Boat Veterans Speak Out Against John Kerry (O’Neill and Corsi). The book was followed by advertisem*nts funded by Swift Boat Veterans for Truth which included unsubstantiated claims that Kerry lied or exaggerated his combat role in Vietnam in order to obtain two of his Purple Hearts and his Bronze Star; the testimony of Kerry’s crewmen and Navy records notwithstanding, these ads were effective in smearing Kerry’s service record and providing the President with an electoral advantage. As far as country music was concerned, the 2004 election played out against the backdrop of the battle between the patriotic Toby Keith and the anti-American Dixie Chicks. The Dixie Chicks were berated after lead singer Natalie Maines’s anti-Bush comments during a concert in London. The trio’s song about an American soldier killed in action, Travelin’ Soldier, quickly fell from the top spot of the country music charts. Moreover, while male singers such as Keith, Darryl Worley, and Alan Jackson received accolades for their post 9/11 artistic efforts, the Dixie Chicks endured a vitriolic reaction from country music fans as their CDs were burned, country radio refused to play their music, their names were added to an internet list of traitors, their concerts were protested by Bush supporters, and their lives were even threatened (http://www.poppolitics.com/archives/2003/04/Bandwagon). Speaking from experience at the 2008 Democratic National Convention, Kerry addressed the issue of patriotism stating: This election is a chance for America to tell the merchants of fear and division: you don’t decide who loves this country; you don’t decide who is a patriot; you don’t decide whose service counts and whose doesn’t. […] After all, patriotism is not love of power or some cheap trick to win votes; patriotism is love of country. (http://www.clipsandcomment.com/2008/08/27/full-text-john-kerry-speech-democratic-national-convention/) Kerry broached the issue because of the constant attacks on the patriotism of Democratic nominee, Senator Barack Obama. At the most basic level, many of the attacks questioned whether Obama was even an American. Internet rumours persisted that Obama was a Muslim who was not even an American citizen. The attacks intensified when the Obamas’ pastor, Reverend Jeremiah Wright, came under fire for comments made during a sermon in which he stated “God damn America.” As a result, Obama was forced to distance himself from his pastor and his church. Obama was also criticised for not wearing a United States flag lapel pin. When Michelle Obama stated for the “first time [she was] proud of her country” for its willingness to embrace change in February of 2008, Cindy McCain responded that she “had always been proud of her country” with the implication being, of course, a lack of patriotism on the part of Michelle Obama. Even the 13 July 2008 cover of the liberal New Yorker portrayed the couple as flag-burning Muslim terrorists. During the 2008 election campaign, McCain has attempted to appeal to patriotism in a number of ways. First, McCain’s POW experience in Vietnam has been front and centre as he touts his experience in foreign policy. Second, the slogan of the campaign is “Country First” implying that the Obama campaign does not put the United States first. Third, McCain’s running mate, Alaska Governor Sarah Palin, insisted in a speech on 4 October 2008, that Barack Obama has been “palling around with terrorists who would target their own country.” Her reference was to Obama’s acquaintance, Bill Ayers, who was involved in a series of Vietnam era bombings; the implication, however, was that Obama has terrorist ties and is unpatriotic. Palin stood behind her comments even though several major news organisations had concluded that the relationship was not significant as Ayers’ terrorist activities occurred when Obama was eight-years-old. This recent example is illustrative of Republican attempts to question the patriotism of Democrats for their electoral advantage. Country music has again sided with the Republicans particularly with Raising McCain. However, the Democrats may have realised the potential of the genre as Obama chose Only in America as the song played after his acceptance speech at the Democratic Convention. He has also attempted to reach rural voters by starting his post-convention campaign in Bristol, Virginia, a small, conservative town. Conclusion Thus, in the wake of 9/11, Republicans seized the opportunity to control the culture through fear and patriotic fervour. They were facilitated in this endeavor by the country music industry with songs that that would questions the motives, defence of “country,” and patriotism, of anyone who would question the Bush administration. This alliance between country music and the right is an historically strong one, and we recommend more research on this vital topic. While this election may indeed be a referendum on the war, it has been influenced by an economic downturn as well. Ultimately, Democrats will have to convince rural voters that they share their values; they don’t have the same edge as Republicans without the reliance of country music. However, the dynamic of country music has changed to somewhat reflect the war fatigue since the 2004 campaign. The Angry American, Toby Keith, has admitted that he is actually a Democrat, and country music listeners have grown tired of the “barrage of pro-troop sentiment,” especially since the summer of 2005 (Willman 115). As Joe Galante, the chief of the RCA family of labels in Nashville, stated, “It’s the relatability. Kerry never really spent time listening to some of those people” (Willman 201). Bill Clinton, a Southern governor, certainly had relatability, carrying the normally red states and overcoming the honky-tonk gap, and Obama has seen the benefit of country music by playing it as the grand finale of the Democratic Convention. Nevertheless, we recommend more research on the “melodrama” theory of the Presidency as the dynamics of the relationship between the Presidency and the country music genre are currently evolving. References Andreson, Lee. Battle Notes: Music of the Vietnam War. 2nd ed. Superior, WI: Savage Press, 2003. Anker, Elisabeth. “Villains, Victims and Heroes: Melodrama, Media and September 11th.” Journal of Communication. 55.1 (2005): 22-37. Baker, Peter and David Brown. “Bush Tries to Tone Down High-Pitched Debate on Iraq.” Monday, 21November 2005, Page A04. washingtonpost.com Beamish, Thomas D., Harvey Molotch, and Richard Flacks. “Who Supports the Troops? Vietnam, the Gulf War, and the Making of Collective Memory.” Social Problems. 42.3 (1995): 344-60. Brooks and Dunn. Only in America. Arista Records, 2003. Bufwack, Mary A. and Robert K. Oermann. Finding Her Voice The Saga of Women in Country Music. New York: Crown Publishers, 1993. Dixie Chicks. “Travelin Soldier.” Home. Columbia. 27 August 2002. Firestein, David J. “The Honky-Tonk Gap.” Vital Speeches of the Day. 72.3 (2006): 83-88. Jackson, Alan. Where Were You? (When the World Stopped Turning) Very Best of Alan Jackson. Nashville: Arista, 2004. Keith, Toby. Courtesy of the Red, White and Blue (The Angry American). Nashville: Dreamworks. November 9, 2004. Olson, Scott. “Chicago remembers war dead with 500 pairs of empty boots.” 22 January 2004. http://www.usatoday.com/news/nation/2004-01-22-chicago-boots_x.htm O’Neill, John E. and Jerome L. Corsi. “Unfit for Command Swift Boat Veterans Speak Out Against John Kerry.” Washington D.C.: Regnery Publishing, 2004. Peterson, Richard A. and Peter Di Maggio. “From Region to Class, the Changing Locus of Country Music. A Test of the Massification Hypothesis.” Social Forces. 53.3 (1975): 497-506. Rich, John. Raising McCain. Production information unavailable. Sampert, Shannon, and Natasja Treiberg. “The Reification of the ?American Soldier?: Popular Culture, American Foreign Policy, and Country Music.” Paper presented at the International Studies Association 48th Annual Convention, Chicago, Illinois, United States, 28 February 2007. Smith, Craig Allen. “President Bush’s Enthymeme of Evil: The Amalgamation of 9/11, Iraq, and Moral Values.” American Behavioral Scientist. 49 (2005): 32-47. Steinhauser, Paul. “Poll: More disapprove of Bush that any other president.” Politics Cnn.politics.com. 1 May 2008. Stuckey, Mary E. Defining Americans: The Presidency and National Identity. Lawrence: UP of Kansas, 2004. Sullivan, John L., Amy Fried, Mary G. Dietz. 1992. “Patriotism, Politics, and the Presidential Election of 1988.” American Journal of Political Science. 36.1 (1992): 200-234. Willman, Chris. Rednecks and Bluenecks: The Politics of Country Music. New York: The New Press, 2005. Worley, Darryl. Have You Forgotten? Nashville: Dreamworks, 2003.

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IntroductionIn the year 2000, a group of likeminded individuals got together and convened the first annual World Barista Championship in Monte Carlo. With twelve competitors from around the globe, each competitor was judged by seven judges: one head judge who oversaw the process, two technical judges who assessed technical skills, and four sensory judges who evaluated the taste and appearance of the espresso drinks. Competitors had fifteen minutes to serve four espresso coffees, four cappuccino coffees, and four “signature” drinks that they had devised using one shot of espresso and other ingredients of their choice, but no alcohol. The competitors were also assessed on their overall barista skills, their creativity, and their ability to perform under pressure and impress the judges with their knowledge of coffee. This competition has grown to the extent that eleven years later, in 2011, 54 countries held national barista championships with the winner from each country competing for the highly coveted position of World Barista Champion. That year, Alejandro Mendez from El Salvador became the first world champion from a coffee producing nation. Champion baristas are more likely to come from coffee consuming countries than they are from coffee producing countries as countries that produce coffee seldom have a culture of espresso coffee consumption. While Ireland is not a coffee-producing nation, the Irish are the highest per capita consumers of tea in the world (Mac Con Iomaire, “Ireland”). Despite this, in 2008, Stephen Morrissey from Ireland overcame 50 other national champions to become the 2008 World Barista Champion (see, http://vimeo.com/2254130). Another Irish national champion, Colin Harmon, came fourth in this competition in both 2009 and 2010. This paper discusses the history and development of coffee and coffee houses in Dublin from the 17th century, charting how coffee culture in Dublin appeared, evolved, and stagnated before re-emerging at the beginning of the 21st century, with a remarkable win in the World Barista Championships. The historical links between coffeehouses and media—ranging from print media to electronic and social media—are discussed. In this, the coffee house acts as an informal public gathering space, what urban sociologist Ray Oldenburg calls a “third place,” neither work nor home. These “third places” provide anchors for community life and facilitate and foster broader, more creative interaction (Oldenburg). This paper will also show how competition from other “third places” such as clubs, hotels, restaurants, and bars have affected the vibrancy of coffee houses. Early Coffee Houses The first coffee house was established in Constantinople in 1554 (Tannahill 252; Huetz de Lemps 387). The first English coffee houses opened in Oxford in 1650 and in London in 1652. Coffee houses multiplied thereafter but, in 1676, when some London coffee houses became hotbeds for political protest, the city prosecutor decided to close them. The ban was soon lifted and between 1680 and 1730 Londoners discovered the pleasure of drinking coffee (Huetz de Lemps 388), although these coffee houses sold a number of hot drinks including tea and chocolate as well as coffee.The first French coffee houses opened in Marseille in 1671 and in Paris the following year. Coffee houses proliferated during the 18th century: by 1720 there were 380 public cafés in Paris and by the end of the century there were 600 (Huetz de Lemps 387). Café Procope opened in Paris in 1674 and, in the 18th century, became a literary salon with regular patrons: Voltaire, Rousseau, Diderot and Condorcet (Huetz de Lemps 387; Pitte 472). In England, coffee houses developed into exclusive clubs such as Crockford’s and the Reform, whilst elsewhere in Europe they evolved into what we identify as cafés, similar to the tea shops that would open in England in the late 19th century (Tannahill 252-53). Tea quickly displaced coffee in popularity in British coffee houses (Taylor 142). Pettigrew suggests two reasons why Great Britain became a tea-drinking nation while most of the rest of Europe took to coffee (48). The first was the power of the East India Company, chartered by Elizabeth I in 1600, which controlled the world’s biggest tea monopoly and promoted the beverage enthusiastically. The second was the difficulty England had in securing coffee from the Levant while at war with France at the end of the seventeenth century and again during the War of the Spanish Succession (1702-13). Tea also became the dominant beverage in Ireland and over a period of time became the staple beverage of the whole country. In 1835, Samuel Bewley and his son Charles dared to break the monopoly of The East India Company by importing over 2,000 chests of tea directly from Canton, China, to Ireland. His family would later become synonymous with the importation of coffee and with opening cafés in Ireland (see, Farmar for full history of the Bewley's and their activities). Ireland remains the highest per-capita consumer of tea in the world. Coffee houses have long been linked with social and political change (Kennedy, Politicks; Pincus). The notion that these new non-alcoholic drinks were responsible for the Enlightenment because people could now gather socially without getting drunk is rejected by Wheaton as frivolous, since there had always been alternatives to strong drink, and European civilisation had achieved much in the previous centuries (91). She comments additionally that cafés, as gathering places for dissenters, took over the role that taverns had long played. Pennell and Vickery support this argument adding that by offering a choice of drinks, and often sweets, at a fixed price and in a more civilized setting than most taverns provided, coffee houses and cafés were part of the rise of the modern restaurant. It is believed that, by 1700, the commercial provision of food and drink constituted the second largest occupational sector in London. Travellers’ accounts are full of descriptions of London taverns, pie shops, coffee, bun and chop houses, breakfast huts, and food hawkers (Pennell; Vickery). Dublin Coffee Houses and Later incarnations The earliest reference to coffee houses in Dublin is to the co*ck Coffee House in Cook Street during the reign of Charles II (1660-85). Public dining or drinking establishments listed in the 1738 Dublin Directory include taverns, eating houses, chop houses, coffee houses, and one chocolate house in Fownes Court run by Peter Bardin (Hardiman and Kennedy 157). During the second half of the 17th century, Dublin’s merchant classes transferred allegiance from taverns to the newly fashionable coffee houses as places to conduct business. By 1698, the fashion had spread to country towns with coffee houses found in Cork, Limerick, Kilkenny, Clonmel, Wexford, and Galway, and slightly later in Belfast and Waterford in the 18th century. Maxwell lists some of Dublin’s leading coffee houses and taverns, noting their clientele: There were Lucas’s Coffee House, on Cork Hill (the scene of many duels), frequented by fashionable young men; the Phoenix, in Werburgh Street, where political dinners were held; Dick’s Coffee House, in Skinner’s Row, much patronized by literary men, for it was over a bookseller’s; the Eagle, in Eustace Street, where meetings of the Volunteers were held; the Old Sot’s Hole, near Essex Bridge, famous for its beefsteaks and ale; the Eagle Tavern, on Cork Hill, which was demolished at the same time as Lucas’s to make room for the Royal Exchange; and many others. (76) Many of the early taverns were situated around the Winetavern Street, Cook Street, and Fishamble Street area. (see Fig. 1) Taverns, and later coffee houses, became meeting places for gentlemen and centres for debate and the exchange of ideas. In 1706, Francis Dickson published the Flying Post newspaper at the Four Courts coffee house in Winetavern Street. The Bear Tavern (1725) and the Black Lyon (1735), where a Masonic Lodge assembled every Wednesday, were also located on this street (Gilbert v.1 160). Dick’s Coffee house was established in the late 17th century by bookseller and newspaper proprietor Richard Pue, and remained open until 1780 when the building was demolished. In 1740, Dick’s customers were described thus: Ye citizens, gentlemen, lawyers and squires,who summer and winter surround our great fires,ye quidnuncs! who frequently come into Pue’s,To live upon politicks, coffee, and news. (Gilbert v.1 174) There has long been an association between coffeehouses and publishing books, pamphlets and particularly newspapers. Other Dublin publishers and newspapermen who owned coffee houses included Richard Norris and Thomas Bacon. Until the 1850s, newspapers were burdened with a number of taxes: on the newsprint, a stamp duty, and on each advertisem*nt. By 1865, these taxes had virtually disappeared, resulting in the appearance of 30 new newspapers in Ireland, 24 of them in Dublin. Most people read from copies which were available free of charge in taverns, clubs, and coffee houses (MacGiolla Phadraig). Coffee houses also kept copies of international newspapers. On 4 May 1706, Francis Dickson notes in the Dublin Intelligence that he held the Paris and London Gazettes, Leyden Gazette and Slip, the Paris and Hague Lettres à la Main, Daily Courant, Post-man, Flying Post, Post-script and Manuscripts in his coffeehouse in Winetavern Street (Kennedy, “Dublin”). Henry Berry’s analysis of shop signs in Dublin identifies 24 different coffee houses in Dublin, with the main clusters in Essex Street near the Custom’s House (Cocoa Tree, Bacon’s, Dempster’s, Dublin, Merchant’s, Norris’s, and Walsh’s) Cork Hill (Lucas’s, St Lawrence’s, and Solyman’s) Skinners’ Row (Bow’s’, Darby’s, and Dick’s) Christ Church Yard (Four Courts, and London) College Green (Jack’s, and Parliament) and Crampton Court (Exchange, and Little Dublin). (see Figure 1, below, for these clusters and the locations of other Dublin coffee houses.) The earliest to be referenced is the co*ck Coffee House in Cook Street during the reign of Charles II (1660-85), with Solyman’s (1691), Bow’s (1692), and Patt’s on High Street (1699), all mentioned in print before the 18th century. The name of one, the Cocoa Tree, suggests that chocolate was also served in this coffee house. More evidence of the variety of beverages sold in coffee houses comes from Gilbert who notes that in 1730, one Dublin poet wrote of George Carterwright’s wife at The Custom House Coffee House on Essex Street: Her coffee’s fresh and fresh her tea,Sweet her cream, ptizan, and whea,her drams, of ev’ry sort, we findboth good and pleasant, in their kind. (v. 2 161) Figure 1: Map of Dublin indicating Coffee House clusters 1 = Sackville St.; 2 = Winetavern St.; 3 = Essex St.; 4 = Cork Hill; 5 = Skinner's Row; 6 = College Green.; 7 = Christ Church Yard; 8 = Crampton Court.; 9 = Cook St.; 10 = High St.; 11 = Eustace St.; 12 = Werburgh St.; 13 = Fishamble St.; 14 = Westmorland St.; 15 = South Great George's St.; 16 = Grafton St.; 17 = Kildare St.; 18 = Dame St.; 19 = Anglesea Row; 20 = Foster Place; 21 = Poolbeg St.; 22 = Fleet St.; 23 = Burgh Quay.A = Cafe de Paris, Lincoln Place; B = Red Bank Restaurant, D'Olier St.; C = Morrison's Hotel, Nassau St.; D = Shelbourne Hotel, St. Stephen's Green; E = Jury's Hotel, Dame St. Some coffee houses transformed into the gentlemen’s clubs that appeared in London, Paris and Dublin in the 17th century. These clubs originally met in coffee houses, then taverns, until later proprietary clubs became fashionable. Dublin anticipated London in club fashions with members of the Kildare Street Club (1782) and the Sackville Street Club (1794) owning the premises of their clubhouse, thus dispensing with the proprietor. The first London club to be owned by the members seems to be Arthur’s, founded in 1811 (McDowell 4) and this practice became widespread throughout the 19th century in both London and Dublin. The origin of one of Dublin’s most famous clubs, Daly’s Club, was a chocolate house opened by Patrick Daly in c.1762–65 in premises at 2–3 Dame Street (Brooke). It prospered sufficiently to commission its own granite-faced building on College Green between Anglesea Street and Foster Place which opened in 1789 (Liddy 51). Daly’s Club, “where half the land of Ireland has changed hands”, was renowned for the gambling that took place there (Montgomery 39). Daly’s sumptuous palace catered very well (and discreetly) for honourable Members of Parliament and rich “bucks” alike (Craig 222). The changing political and social landscape following the Act of Union led to Daly’s slow demise and its eventual closure in 1823 (Liddy 51). Coincidentally, the first Starbucks in Ireland opened in 2005 in the same location. Once gentlemen’s clubs had designated buildings where members could eat, drink, socialise, and stay overnight, taverns and coffee houses faced competition from the best Dublin hotels which also had coffee rooms “in which gentlemen could read papers, write letters, take coffee and wine in the evening—an exiguous substitute for a club” (McDowell 17). There were at least 15 establishments in Dublin city claiming to be hotels by 1789 (Corr 1) and their numbers grew in the 19th century, an expansion which was particularly influenced by the growth of railways. By 1790, Dublin’s public houses (“pubs”) outnumbered its coffee houses with Dublin boasting 1,300 (Rooney 132). Names like the Goose and Gridiron, Harp and Crown, Horseshoe and Magpie, and Hen and Chickens—fashionable during the 17th and 18th centuries in Ireland—hung on decorative signs for those who could not read. Throughout the 20th century, the public house provided the dominant “third place” in Irish society, and the drink of choice for itd predominantly male customers was a frothy pint of Guinness. Newspapers were available in public houses and many newspapermen had their own favourite hostelries such as Mulligan’s of Poolbeg Street; The Pearl, and The Palace on Fleet Street; and The White Horse Inn on Burgh Quay. Any coffee served in these establishments prior to the arrival of the new coffee culture in the 21st century was, however, of the powdered instant variety. Hotels / Restaurants with Coffee Rooms From the mid-19th century, the public dining landscape of Dublin changed in line with London and other large cities in the United Kingdom. Restaurants did appear gradually in the United Kingdom and research suggests that one possible reason for this growth from the 1860s onwards was the Refreshment Houses and Wine Licences Act (1860). The object of this act was to “reunite the business of eating and drinking”, thereby encouraging public sobriety (Mac Con Iomaire, “Emergence” v.2 95). Advertisem*nts for Dublin restaurants appeared in The Irish Times from the 1860s. Thom’s Directory includes listings for Dining Rooms from the 1870s and Refreshment Rooms are listed from the 1880s. This pattern continued until 1909, when Thom’s Directory first includes a listing for “Restaurants and Tea Rooms”. Some of the establishments that advertised separate coffee rooms include Dublin’s first French restaurant, the Café de Paris, The Red Bank Restaurant, Morrison’s Hotel, Shelbourne Hotel, and Jury’s Hotel (see Fig. 1). The pattern of separate ladies’ coffee rooms emerged in Dublin and London during the latter half of the 19th century and mixed sex dining only became popular around the last decade of the 19th century, partly infuenced by Cesar Ritz and Auguste Escoffier (Mac Con Iomaire, “Public Dining”). Irish Cafés: From Bewley’s to Starbucks A number of cafés appeared at the beginning of the 20th century, most notably Robert Roberts and Bewley’s, both of which were owned by Quaker families. Ernest Bewley took over the running of the Bewley’s importation business in the 1890s and opened a number of Oriental Cafés; South Great Georges Street (1894), Westmoreland Street (1896), and what became the landmark Bewley’s Oriental Café in Grafton Street (1927). Drawing influence from the grand cafés of Paris and Vienna, oriental tearooms, and Egyptian architecture (inspired by the discovery in 1922 of Tutankhamen’s Tomb), the Grafton Street business brought a touch of the exotic into the newly formed Irish Free State. Bewley’s cafés became the haunt of many of Ireland’s leading literary figures, including Samuel Becket, Sean O’Casey, and James Joyce who mentioned the café in his book, Dubliners. A full history of Bewley’s is available (Farmar). It is important to note, however, that pots of tea were sold in equal measure to mugs of coffee in Bewley’s. The cafés changed over time from waitress- to self-service and a failure to adapt to changing fashions led to the business being sold, with only the flagship café in Grafton Street remaining open in a revised capacity. It was not until the beginning of the 21st century that a new wave of coffee house culture swept Ireland. This was based around speciality coffee beverages such as espressos, cappuccinos, lattés, macchiatos, and frappuccinnos. This new phenomenon coincided with the unprecedented growth in the Irish economy, during which Ireland became known as the “Celtic Tiger” (Murphy 3). One aspect of this period was a building boom and a subsequent growth in apartment living in the Dublin city centre. The American sitcom Friends and its fictional coffee house, “Central Perk,” may also have helped popularise the use of coffee houses as “third spaces” (Oldenberg) among young apartment dwellers in Dublin. This was also the era of the “dotcom boom” when many young entrepreneurs, software designers, webmasters, and stock market investors were using coffee houses as meeting places for business and also as ad hoc office spaces. This trend is very similar to the situation in the 17th and early 18th centuries where coffeehouses became known as sites for business dealings. Various theories explaining the growth of the new café culture have circulated, with reasons ranging from a growth in Eastern European migrants, anti-smoking legislation, returning sophisticated Irish emigrants, and increased affluence (Fenton). Dublin pubs, facing competition from the new coffee culture, began installing espresso coffee machines made by companies such as Gaggia to attract customers more interested in a good latté than a lager and it is within this context that Irish baristas gained such success in the World Barista competition. In 2001 the Georges Street branch of Bewley’s was taken over by a chain called Café, Bar, Deli specialising in serving good food at reasonable prices. Many ex-Bewley’s staff members subsequently opened their own businesses, roasting coffee and running cafés. Irish-owned coffee chains such as Java Republic, Insomnia, and O’Brien’s Sandwich Bars continued to thrive despite the competition from coffee chains Starbucks and Costa Café. Indeed, so successful was the handmade Irish sandwich and coffee business that, before the economic downturn affected its business, Irish franchise O’Brien’s operated in over 18 countries. The Café, Bar, Deli group had also begun to franchise its operations in 2008 when it too became a victim of the global economic downturn. With the growth of the Internet, many newspapers have experienced falling sales of their printed format and rising uptake of their electronic versions. Most Dublin coffee houses today provide wireless Internet connections so their customers can read not only the local newspapers online, but also others from all over the globe, similar to Francis Dickenson’s coffee house in Winetavern Street in the early 18th century. Dublin has become Europe’s Silicon Valley, housing the European headquarters for companies such as Google, Yahoo, Ebay, Paypal, and Facebook. There are currently plans to provide free wireless connectivity throughout Dublin’s city centre in order to promote e-commerce, however, some coffee houses shut off the wireless Internet in their establishments at certain times of the week in order to promote more social interaction to ensure that these “third places” remain “great good places” at the heart of the community (Oldenburg). Conclusion Ireland is not a country that is normally associated with a coffee culture but coffee houses have been part of the fabric of that country since they emerged in Dublin in the 17th century. These Dublin coffee houses prospered in the 18th century, and survived strong competition from clubs and hotels in the 19th century, and from restaurant and public houses into the 20th century. In 2008, when Stephen Morrissey won the coveted title of World Barista Champion, Ireland’s place as a coffee consuming country was re-established. 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Abstract:

This paper seeks to explore environmental, social and governance issues arising from investment in special economic zones (SEZs) in the mainland Southeast Asian region through a mixture of thick analytical description and multiple case study approach. All the states studied here have embraced the SEZ approach as it offers rapid economic development without any implications for the political settlement, which is considered beneficial by current administrations. Particular emphasis is placed on environmental, social and governance issues in the region covered and some complex issues that have emerged. It is shown that the situation is complex and continually evolving and that there are limited constraints on the actions of corporations. Consequently, there is an opportunity for investors to set precedents and protocols on a progressive basis. 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